What is it about French musicians and their acute mastery of all sounds electronic? 23 year-old Lorris Piasco, more commonly recognized by his production alias Allure, is an attractively fresh face in a long line of talented house and electronic producers hailing from Paris. Allure has just dropped his second full length album Reunion, and “The Little Prince of French Electro”’s latest release utilizes elements of classic disco, house, pop-song structuring and a classic four-to-the-floor drumkick all awash in jazzy harmonies and clean synths. The end result is a finished, cohesive piece of work that feels oh so provocative, yet irresistibly danceable. Allure makes the kind of electro that has a live feel, as if an entire band was involved in the production rather than just one man and an intimidating set of electronic gadgetry. It is a quality that gives his music a human feel, although it is mostly robotic in execution.
Citing influences that range diversely from Prince, Bowie and Stevie Wonder to more symbiotic sounds from Justice and of course Daft Punk, there is no denying that the weight of said artists comes through in the catchiness of Allure’s “funky baroque” electro sound. Taking Reunion even one step higher though (musically of course), were seemingly perfect vocal contributions from some of his French contemporaries in Alexia Gredy on “Nobody Dance” and Jordan Lee featured twice on “Pretty Bad Day” and “I Will Change”. Stream all three aforementioned tracks and purchase Reunion using the link below.
Click here to purchase Reunion.