Kanye West took the stage last night for the season finale of Saturday Night Live last night, premiering two brand new singles from his upcoming sixth studio album. With songs like “Black Skinhead” and “New Slaves,” and an album reportedly entitled Yeezus, Kanye is as Kanye as he’ll ever be. Just like his previous appearance on SNL, Kanye’s performance was both iconic and mesmerizing. Leave it to Yeezy to turn a live act into a full theatrical affair. As I’ve mentioned in the past, Kanye seems to be aiming for a much darker tone with his latest effort (hard to believe considering his last album was called My Beautiful Dark Twisted Fantasy). Check out the evidence below and let us know your thoughts about Yeezy’s recent performance and his upcoming album, set to drop in less than a month from now on June 18th.
[NEW] Kanye West – New Slaves
Leave it to Kanye West to premiere his new single in the most elaborate and impractical way possible. In preparation of his upcoming performance tomorrow night on Saturday Night Live, Kanye decided to project his image across 66 random buildings across the globe, (Could you imagine how freaky it would be to see Yeezy’s face right outside your window?) Upon first listen it seems as if Ye’s continuing the trend of his past few releases, venturing down an even darker path sonically than ever before. Despite all of the theatrics, Kanye’s newest track comes bearing a message, relating the widespread obsession with designer brands to being a new form of slavery. I wouldn’t say it’s Kanye’s best work lyrically, but it’s clear he definitely has the creative juices flowing. We’re certainly looking forward to seeing what Yeezy has in store for us on Saturday night, and hope to learn more about the album before it purportedly drops on June 18th.
[Hip-Hop] D’Banj – Scapegoat (Remix) ft. Kanye West
Scapegoat (Remix) ft. Kanye West
Nigerian native and G.O.O.D. Music soldier D’Banj gives us a carefree anthem with none other than Yeezy chiming in with two verses. If his iconic voice sounds familiar, it’s because Kanye had recruited him on Cruel Summer‘s “The Morning.” Drawing from his Nigerian roots, D’Banj creates a song that incorporates island drums and beach chords. Kanye’s flow on his verses is the perfect form of creativity with a slight hint of raunchiness. All in all the song makes it feel like palm trees and eighty degrees anywhere.
This song is due out on D’Banj’s upcoming album, DKM (D’Kings Men).
[Hip-Hop] Pusha T – Numbers On The Board (Prod. Don Cannon & Kanye West)
Numbers On The Boards
After Jay-Z released his “Open Letter” earlier this morning, Kanye decided he couldn’t let his big bro have all the fun today. Yeezy made his return to Twitter for the first time in months this afternoon to let everyone know:
Our family Hov brought that real hip hop shit this morning so me and Pusha wanna keep that feeling going
— KANYE WEST (@kanyewest) April 11, 2013
Soon after, we were given this unique new single from Pusha T. I say unique, because I don’t believe I’ve heard a beat quite like this ever before. It really takes a good pair of headphones to hear all the subtleties and nuanes in the production. This will presumably be featured on Pusha’s upcoming solo debut, My Name Is My Name, due out later this year.
[Hip-Hop] Yasiin Bey – The Light Is Not Afraid of The Dark (Prod. Kanye West)
The Light Is Not Afraid Of The Dark
A short while ago, we showed you a video of a live performance where Yasiin Bey unearthed a collaboration he created with Kanye West a few years back. At the time, we drooled at the prospects of the song potentially seeing the light of day (no pun intended). Well, it looks like Mighty Mos decided to oblige our wishes, and released the song in its full, uninhibited glory. Although Mos joined Kanye’s G.O.O.D. Music imprint back in 2010, we really haven’t heard anything from the pair since, so forgive us for getting so easily ecstatic over the team-up, even if this was recorded way back in 2006. The song provides us with a glimpse into the past, and reminds us where both of their careers stood at the time, while also showing us how far they’ve come since. Seven years later, the song still sounds surprisingly refreshing. We’re pretty confident Yasiin could’ve gotten away with releasing this as a new single, but we’re thankful that he put it up as a free stream for all of us to enjoy instead. Look out for more Yasiin Bey when his collaborative album with Mannie Fresh, OMFGOD, drops later this year.
The Hip-Hop Dojo [Vol. 2]
Welcome back to the Hip-Hop Dojo! It seems just like yesterday we put up the first edition of this humble playlist, but we have all this awesome music to remind of us the time that’s passed. This week’s lineup features some true lyrical wordsmiths, from veterans like Talib Kweli and Ras Kass, to youngsters like Kendrick Lamar and Joey Purp. Although we’re only in our second week, a few artists are already making reappearances like the aforementioned Joey Purp, as well as STS, Sahtyre, King Chip, and Termanology. Since last week’s post ran a little lengthy, we’ve tried to shorten things by highlighting some of the standout material.
We start things off this week with a more conscious vibe. While up-and-comer Eddy B sheds light on some of his harsh realities growing up, Talib and R.A. The Rugged Man take us for a tour around the globe, exploring atrocities many of us may not have been aware of. Meanwhile, ¡Mayday! frontman Wrekonize also provides us with some insight to personal struggles of his own, and the reasons for his “Anxiety Attacks.”
Toning things down in the next section, we’ve assembled a nice collection of songs to share with your other half. One of the most notable items is “Natural Spring Water” from 2AM Club, who flaunt their roots in multiple genres alongside Wichita native, XV. We also have a few recognizable faces in here too. With Tyga & Chris Brown‘s “Fuck For The Road” comes a story of redemption and renewal, while The World Famous Tony Williams and his (arguably more famous) crew of Kanye West, King Chip, and Freddie Gibbs, assemble together for a remix of his ode to that special someone. Lastly, we have a new cut from some TMN favorites, THEBLKHANDS, who utilize a brilliant sample of The xx‘s “Angels” to introduce us to the darker side of love.
The next section just features some good old-fashioned trash talking, a language that’s clearly spoken worldwide as evidenced by our inclusion of London-based ItsNate on the remix of his hit record, “WSLTA” which stands for “Where She Learnt That At.” We also get some outstanding verses from the likes of Joey Purp, GQ, Rapsody, Rocki Evans, Blu, and Smoke DZA along with his new R.F.C. crew. Old-fashioned wasn’t just a figure of speech either, as just about all of these tracks have some ill, old-school vibes to them.
As always, we also have a few cuts ideal for listening between 4:19 and 4:21. B.I.C.‘s spaced-out “DOPM” is definitely a standout in that category. Credit is definitely due to Chuk Le Garcon, who creates a trippy, ethereal beat for the boys to spit on. We can’t forget to give props to Ras Kass for coming up with the possible line of the week on Termanology’s “We Stay High,” spitting, “I’ll put a rapper in a wheelchair like Degrassi.” Sahtyre‘s got a real banger for the second week in a row, with his powerful new single, “Gettin High.”
Speaking of bangers, we’ve got a real treat for you with our next two songs, both featuring prominent samples. While STS definitely does his thing over Kavinsky‘s “Odd Look,” Zak Downtown and Murda Mook absolutely tear apart TNGHT‘s “Higher Ground.” Finally, we decided we’d wrap things up with some uplifting music. “Jordan vs Bird” is a triumphant song from Puck, a unique rapper, who proves he won’t let being resigned to a wheelchair prevent him from taking the court.
I hope you guys enjoyed our second edition of The Hip-Hop Dojo. As always, if you have any suggestions or submissions, feel free to send them over to baseer@themusicninja.com.
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[LIVE] Yasiin Bey – The Light Is Not Afraid of the Dark
While out at The Shrine in Chicago the other night, Yasiin Bey (aka Mos Def) decided to premiere an unreleased joint called “The Light Is Not Afraid of the Dark.” Originally intended for his third studio album, Tru3 Magic, the Kanye West-produced track unfortunately never made the final cut. Deciding to dig it out of the grave though, Mos decided it would only be appropriate to breathe new life into the track in Kanye’s hometown. Some of you may or may not remember, but the release of Tru3 Magic was rife with controversy, as Mos pushed it out with no real promotion or official album art. Many even reported that the album was unfinished, which may explain why gems like these were left off the record. Let’s just hope Mr. Bey continues with his giving mood and provides us with a proper version of this track sometime soon. A few more songs from the vault wouldn’t hurt either.