Author Archives: Ash El Gamal

[Electronic] The Knocks – Collect My Love (feat. Alex Newell)

The Knocks
Collect My Love ft Alex Newell

With their EP release around the corner, The Knocks have dropped yet another dance-floor ready single.  Continuing in the spirit of a full retro-revival, “Collect My Love” has a pulsing bassline and melodic piano, which combined with the soulful vocals of Alex Newell bring to mind some of the great vocalists and artists of the disco era. We’ve now heard four of the five tracks from the So Classic EP and it’s safe to say it’ll be one of the strongest indie dance releases of the year. Grab your fro picks and bell bottoms and groove to this gem above. So Classic drops on April 7th and can be pre-ordered here

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Hippie Sabotage’s SF Debut at Subculture SF, 3/26 [Event Review]

IMG_9632

’ Hippie Sabotage – Waiting Too Long’
’Lana Del Rey – West Coast (Hippie Sabotage Remix)’

Although still relative newcomers, Hippie Sabotage have already proven an impressively dynamic production duo. The brother tandem have produced for some of hip-hop’s freshest talent, re-imagined radio hits as chilled-out anthems and created eclectic originals that fall in the middle of that spectrum. We were lucky enough to catch Hippie Sabotage at the third installment of Subculture SF’s newly launched bi-weekly event series at Hawthorn and their performance was a perfect reflection of their diversity in sound. Their set combined the duo’s influences and different musical explorations all the while keeping the dance floor moving steadily all night. Surely, there was a plethora of unreleased material in their set but two notable moments were their remixes of “West Coast” and “Habits (Stay High),” both favorites among fans and the ninja staff. You can watch some video footage of their Tove Lo flip here.

Last Thursday was a first for us at both a Subculture SF show and Hawthorn, and it’s definitely an experience we’re looking forward to doing again. Tucked away in the Financial District, Hawthorn blends seamlessly with its surroundings, but descending into the venue reveals an intimate, ideal setup for a DJ set. As we explored the space, a friend mentioned how safest casino sites tells us to choose reputable venues just like trusted promoters select top-notch talent, ensuring a safe and enjoyable experience. With past acts like Kill Frenzy and Kittens, Subculture SF has proven its commitment to quality, and their next show on April 9th, featuring Falcons from the Athletixx crew, promises to uphold that standard. IMG_9644 Continue reading

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[Electronic] Phantogram – Never Going Home (Thom of Alt-J Remix)

Phantogram
Never Going Home (Thom alt-J Remix)

Alt-J and Phantogram have both been on killing it on tour non-stop since the release of their most recent albums–we’ve had the chance to catch both and they’re not acts you want to miss. In what promises to be one of the largest performances in either of their careeers, Phantogram will be opening for Alt-J tonight at the legendary Madison Square Garden. To celebrate the occasion and help fans prepare, Phantogram just DM’d Twitter followers with an exclusive remix of “Never Going Home” by Thom of Alt-J. It’s a sultry, brooding take on the original that’s available for free download as well. Enjoy above and check out interview with Phantogram from last year.

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[TMN Exclusive Premiere] Dej Loaf – Try Me (Midas Hutch Remix)

Midas Hutch
Try Me (Midas Hutch Remix)

Whether you’re heading to work or school, Monday mornings can be tough to get through. For us, music has always been the key to jump starting the week and combatting the mundanity that every day life can present. With that in mind, we’re excited to be premiering a brand new tune from producer Midas Hutch, aka FS Green, that promises to get you dancing regardless of your current state of mind. Taking on Detroit emcee Dej Loaf‘s radio hit, “Try Me,” Midas Hutch injects a retro-inspired electro funk. The Dutch producer, whose name you may recognize from his work with Major Lazer, employs a soulful disco backdrop through out adding a vocoder effect on Loaf’s vocals for an addicting chorus. Dej Loaf’s verses float over the old-school backdrop making for a listening experience that is both chill and downright groovy. Hit play above and get down with the get down. Grab a free download, which includes his full remix pack, here.

UPDATE: The original version of this was taken down from Soundcloud by Columbia Records but you can still enjoy the instrumental version above, which is equally awesome.

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[Electronic] SBTRKT – No Less

SBTRKT
nO less

Since the release of his sophomore album last year, SBTRKT has kept busy touring the world performing both solo shows and festival spots. As a result, we haven’t heard much new music but all of that started changing earlier this week when the UK producer began covertly dropping new music on his Soundcloud page. Thus far there isn’t much info on where the three tracks will land but, based on the collection, they seem to be short musical sketches, each experimenting with different elements.

The latest loosie, “No Less,” came out earlier today and, despite clocking in at only 2 minutes, proves a relaxing, steadily building beauty. Utilizing quick, warping percussion the track immediately grabs your attention before commanding orchestral instrumentation emerges. After dipping down the energy one more time, the song ties together flawlessly at the end with all its different facets in full force. Give this enchanting jam a listen above, check out SBTRKT’s Soundcloud to see the rest of his recent releases and make sure not to miss him if you’re heading to one of the major festivals this year.

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[Chill] Odesza – White Lies (Forrest Bumps Remix)

Odesza
White Lies (Forrest Bumps Remix)

Since its release last year, Odesza‘s debut album has spread like wildfire receiving glowing support from the dance community. With its glimmering, unique aesthetic, In Return has also become one of the most remixed projects in recent history, further catalyzed by several remix contests run by the production duo themselves. The countless quality re-works that have been put out has made it hard, even for us ninjas, to keep up, but we stumbled across one of “White Lies” this week that we had to share.

LA-based producer Forrest Bumps, of the A Fish Tank collective, replaces the percussion with a steadily building house beat all the while chopping and re-arranging the vocals making for an intoxicating listen. It’s a re-imagination that, rather than completely change the vibe, retains the original’s grace while switching up the cadence in a refreshing way. Give this one a listen above and, if you’re digging it, give it a vote on Odesza’s “White Lies” remix contest.

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[TMN Exclusive Interview] Get to Know: Kid Astray

Kid Astray
It's Alright

Norwegian six-piece, Kid Astray, don’t represent a single genre but rather a distinct state of mind–one of youthful energy. Through a string of singles, the up ‘n coming band have shown us everything from indie rock on tracks like “No Easy Way Out” to Passion Pit-inspired electro pop like “Still Chasing Nothing.” Their latest single, “It’s Alright,” lands squarely in the center of that spectrum mixing airy guitar-driven verses with an undeniably catchy chorus powered by an addicting electronic melody. That juxtaposition is one they masterfully toy with, reimagining and transitioning between different styles all within one track. We had a chance to chat with a few members of Kid Astray–get to know them below and give their infectious latest single a spin above. Kid Astray’s debut album drops this June!

TMN: Thanks for taking the time to answer some questions! Starting from the beginning, can you tell us how you all first joined forces and the story behind the first song you all wrote together?

Jakob: No problem! We are currently stuck in our rehearsal space, preparing for our upcoming scandinavian tour, so it’s nice taking a short break. And talking about ourselves, haha.

We first met back in high school, where we were all studying music. Everyone but Even and myself knew each other from secondary school, and had already been playing together. Personally, I didn’t know anyone else on the school, but I really wanted to play in a band. I just played with anyone who wanted to play with me. I was the only drummer in our class, so Benjamin and Elizabeth didn’t really have many people to choose from, haha. We had our first rehearsal the same day we met. We played our first show after one week, playing cover songs. The first track we wrote was called ‘Eternal Gifts’ and was written in our rehearsal space at the time, Benjamin’s basement. That song is very different from what we do now, it’s pretty much a guitar based rock track without any synths. It’s still a bit nostalgic thinking about the song, since it was the track that earned us our first manager. Who knows, maybe we will use the core from the track again in the future!

TMN: Who were some of the artists you listened to growing up that you feel have inspired your sound?

Benjamin: Michael Jackson has been a huge inspiration! As a child I learned all the dances and songs by watching the videos and live DVDs. I have definitely brought elements from him into the KA sound. For example the pluck funk guitar. My whole family is a bunch of musicians, so it’s hard to name some specific artists. It’s everything from jazz and synthpop from the 80s to mums punkband! It’s all a part off our sound in a way.

TMN:Kid Astray has more members than most contemporary bands. How do you all approach studio time and how does that collaboration process work? Does it make things easier? more difficult?

Alex: There are definitely up-sides and down-sides of being six people. Traveling becomes more expensive, but also becomes more fun. Cause we’re six good friends, so we’re never bored! And even though we’re unusually many people, we’ve got more than enough to do on stage. We even have to be multi-instrumentalists to successfully get through the new album. The studio part of things works very well. We have our little mastermind Benjamin who starts on an idea, and then we all kinda get together and finish it off. I’m not really sure if things are simpler or more difficult, cause it’s the only way we know. But it definitely gives a lot of variety since so many of us have different musical preferences. Continue reading

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