Author Archives: Brooke Ferguson

Solidisco talks Disco, festivals vs pool parties, and their love for S’mores [TMN Exclusive Interview]

’Chromeo – Jealous (Solidisco Remix)’

With Disco making it’s way back to the forefront of dance music, we here at TMN have become fascinated with the global groovement that is currently in action. Who better to talk to about this epidemic than Disco’s own Matt McGurn and Don Skotnicki from Solidisco? Well we had a chance to talk with these guys last week about how these two joined forces and helped revive the era of Disco in today’s modern dance music culture. Through all of their endeavors, Solidisco is giving our ears a much needed break from those all too familiar festival bangers and instead are pumping some life back into our souls. See what these guys have to say about their sound, dance music, and who would most likely be Paris Hilton’s dog.

TMN: So, before we jump into how Solidisco developed into what it is today, let’s go back a bit and learn more about you guys. I’m sure you hear this question all the time, but it’s always great to ask, especially for new people tuning in, but how did you guys get involved with music? How did you two come together to form Solidisco?

SD: Music has always been a big part of our lives and we like all kinds of music, so it was only natural for us to become DJs. We both grew up DJing in Buffalo, NY. There wasn’t a lot of people doing what we do there, so it was natural for us to start working together.

TMN: Who have been some key influential artists that inspired you to make music; this goes for all genres, too. How would you say that those artists have helped mold your sound and guide you in the direction of where you are right now?

SD: Armand Van Helden and Dimitri From Paris got us into house music, so they kinda both pushed us towards our love for disco. We were always both big hip-hop guys and 90s/00s hip-hop was heavily sample based, so that got us into the art of sampling too. Just Blaze is definitely an influence with how hard he went with the horn section samples. We definitely have tried to apply that to house music in several of our songs.

’Kanye West – Bound 2 (Solidisco Remix)’

TMN: It appears that Disco/Funk/Nu-Disco/etc. have been steadily inching towards the limelight of dance music – How would you define the role that Disco has played in the current groovement and what do you guys think might be some reasons as to why people are finally introducing these type of genres in their sets?

SD: We think it’s an over saturation thing. The Nu Disco/Funk groove is getting popular just because it actually has groove. Same with Deep House. I wouldn’t say Deep House is ‘funky’ but just the fact that it has a groove makes it popular right now. Since EDM exploded in America, it’s just been “4-on-the-floor” banger after banger. There’s really no groove to those songs for the most part. It’s just about being so hard that it makes people go crazy. I think now it’s going back to actually listening to dance music to actually dance, not to start mosh pits at festivals. So because of that, I think DJs are checking out other sub-genres of EDM to try and find some new material to play in their sets because they are getting sick of the typical house bangers.

TMN: We got to catch your sensational main stage set at Hard Day of the Dead last year and you sold us from start to finish. With that almost being a year ago, how would you say that definitive moment helped bring in audiences from all over? (Personally, that was one of my favorite sets of the weekend – some girl put gum in my hair because I was grooving too hard – totally worth it.

SD: (Hahaha) Sorry about your hair, but we’re glad you enjoyed our set! Yeah that was big for us, and we posted the set on our Soundcloud so everyone could check it out. We always say that we make disco tracks made for big rooms, and you can’t get much bigger than the main stage at a HARD event. It just felt good to finally play our music where it was meant to be played and getting the reaction we were looking for. It was very inspiring to go back to the studio after that and make new music.

’The S.O.S Band – Take Your Time (Do It Right) (Solidisco Remix)’

TMN: What are your favorite type of gigs to play and how do you prepare for them? This includes festivals, pool parties, etc.

SD: Each has it’s advantages and disadvantages. We like pool parties because we get to play some stuff we wouldn’t necessarily play otherwise and the vibe is cool, I mean, who doesn’t like being around a pool in beautiful locations? Overall it’s pretty chill and we like really energetic sets. Festivals are awesome, too, just because of the sheer amount of people. You get a crazy rush you don’t get anywhere else, but there are so many people there and so many potential new fans that we tend to be very careful about our song selections. We usually take less chances as DJs at festivals, so we would say club shows are our favorite because it’s enough people where the energy level is always high, but there’s not as much pressure as a festival so we feel more comfortable getting creative during our sets and always have the most fun when we get to do that.

TMN: We can see how festivals might pose a higher risk for putting people off as far as song choice goes. But, speaking of preparation, do you guys have any “pre-show” rituals of some sort? Anything weird is totally acceptable.

SD: Unfortunately we don’t do anything too weird. Mandatory bathroom stops and Red Bull consumption is about it.

’Icona Pop – Just Another Night (Solidisco Remix)’

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Party Favor talks music, quokkas, and that one time a fan humped a subwoofer box [TMN Exclusive Interview]

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When it comes to booty music, we tend to find the kind of artists that make us want to go from a modest person out in public to a shameless person twerking dat ass like we were blessed by Miley Cyrus herself. A few weeks ago, we had a few moments to chat with one such artist that makes us do all of the above. Los Angeles based producer, Party Favor, encompasses everything that our young dance music culture embraces – literally. Not only does he have show-goers humping the shit out of subwoofers during sets (continue reading), but he continues to craft and develop his music/brand in which they collectively help draw in listeners from all over. With so much hype tied around trap and bass music, Party Favor shares with us his 6 year long journey of how he went from the typical mash-up DJ to a bedroom producer, all the way to performing with the big dogs at EDC this year. This touching interview will leave you inspired, excited, but most importantly, it will make you utilize your Google search bar more than ever before. Enjoy ninjas!

’Bro Safari & UFO! – Drama (Party Favor Remix)’

TMN: So, you’re having quite the year this year! You recently landed one of the biggest gigs of your life back in June for EDC Las Vegas – we got a chance to catch that set and it was pretty absurd. What was it like reaching that milestone?

PF: I think that question goes without saying. As someone who has loved this style of music for such a long time, not only was it so humbling and exciting for me but I got to play alongside people I have looked up to for so many years. It was completely surreal. EDC has grown each and every year, and so has dance music and this stage that 7UP set up was better than I could have even imagined. EDC was also a great way to show people who never believed in me before that I’m here to stay. It was way better than I even hoped and still can’t believe how well the crowd responded. Now I have another Insomniac show to look forward to in September: Beyond Wonderland Bay Area!

Check out the official Party Favor EDC After Movie & Download Party Favor’s EDC set here

TMN: Let’s rewind things a little bit – first tell us a little bit about yourself and how you made Party Favor into a career?

PF: So I have always had this infatuation with music but never really found a way to connect these sounds and thoughts into a music that fit my style. I tried the guitar, the piano and eventually gave up thinking I was musically talented enough. It wasn’t until I was in college (studying film) that I started to dabble in some film scoring and different audio programs/courses and it kind of re-sparked my interest. Mashups were actually what got me into House music in general. 6 years ago house music was so different and on a much smaller scale. I was listening to heavy electro house out of Europe mashed with top 40 tracks from the US and I started to hear the beat behind it and realized I loved how that music made me feel and how much it connected on the most basic level. I started playing it out to people in my social circles and became the guy who “had the cool mashups” (laughs). Eventually it snowballed into DJ’ing and then slowly but surely I attempted producing stuff that wasn’t garbage. I hustled myself at clubs/promoters and then eventually got an agent. Now here I am six years later – still trying not to make music that sounds like garbage (laughs).

TMN: (Laughs) Thank goodness you decided to pick things up where you left off. On that note, at what point did you know that things were starting to take off for you as a producer/DJ?

PF: There have been a few WOW moments that i’ve looked to as milestones; moments that really made me feel like things were taking off. On the music side, it was kind of the one-two punch of my official remix of Bro Safari & UFO!’s ”Drama” (which got a lot of industry support) and then my official remix of Showtek’s massive hit, “Booyah”. The response it first received really made me feel like things were moving  in the right direction. In fact, it still does. The energy of “Booyah” is hard to match and I think it was the first time that people got to hear me on such a massive scale. Some of the biggest DJ’s in the world immediately began playing it out and it was at that moment that I knew that something had finally clicked. I still play out the VIP now and it goes off even harder.
’Showtek – Booyah (Party Favor Remix)’

TMN: “Booyah” is definitely one of our favorite remixes of yours. Hands down.

TMN: Moving forward, it’s pretty obvious that you have a growing fan base, a hardworking team behind you, and a credible track record that has been catching the attention of some of the big dogs in the league such as Diplo. In fact, you just released a Diplo & Friends BBC Radio 1 Mix you did for his show this past August – that’s definitely something every artist wants to cross off their bucket list. How did you react when he reached out to you about doing a mix?

PF: Oh its phenomenal. I think as someone who is very hard on my own work, to hear from someone like Diplo that what i’m doing is cool is the ultimate reassurance.  BBC is a huge checklist item for every electronic artist, or any talent now for that matter, and i’m honored to have gotten a spot on his show to play out some of my newest tracks. That’s what it’s all about. I think getting a chance to showcase your sound and style to a completely new fan base is absolutely incredible and there are not many media platforms for our scene that have the kind of reach BBC does.

Download Party Favor’s exclusive Diplo & Friends BBC Radio 1 Mix 

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Sia – Chandelier (Happy Accidents Remix) [TMN PREMIERE]

Sia
Chandelier (Happy Accidents Vocal Remix)

It feels like such a long time since we last saw Happy Accidents make their way onto our stomping grounds, but it was only a couple of months ago! This past June, we came across their Mapei vocal remix of “Don’t Wait” and instantly made us all fall in love with their version that much more. 2 months have gone by since their last release and today Happy Accidents are crashing into our music feeds at full speed, ready to spin our wheels of feels out of control in their latest remix of Sia’s “Chandelier”. With this song powering its way across the dance music world, it was only a matter of time before Happy Accidents gave this lovely track a touch of sugar, spice, and every nice.

We are very happy to be sharing the latest from these talented producers in the form of a premiere. Amped with their signature indie vibe, a retrograde of timeless synths layered on top of their own  original vocals, Happy Accidents transform this song into a smooth, creamy, “I can’t believe it’s not butter” remix of the week. We guarantee you’ll have this one on repeat for the remainder of the week because we can’t seem to stop pressing play.

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[Indie Electronic] Flight Facilities – Two Bodies feat. Emma Louise (Extended Version)

Flight Facilities
Two Bodies feat. Emma Louise (Extended Version)

Did we just see the words Flight Facilities pop up on our music radar? You bet your bottom dollar we just did. After witnessing them perform live at this years Coachella Music Festival, our ninja clan fell even more in love with Flight Facilities; their uplifting melodies chill us to the bone and send us into a state of mental paralysis to which all we are forced to do is groove. It feels as if we have been waiting for forever to hear the latest from the Australian dance duo, but look no further ninjas, because they’re back with a stunning new original, “Two Bodies” which features the dreamy vocals from Emma Louise.

“Two Bodies” exemplifies everything flawless in a track; with its subtle ambient vibe, a soft percussion, and Emma’s ghostly vocals collectively create the perfect escape. Wishing we were intertwined with that of another human being, Flight Facilities gives us every reason to escape from the norm and drift off into the delicate sound waves exuded from this divinity. “Two Bodies” is the first release off of their debut full-length album, Down to Earth, which is set to be released on October 28th. Pre-Order the album on iTunes and enjoy the celestial bliss that resonates from all over in this ethereal track.

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[Future] KRNE x TastyTreat – Clouds (Original)

KRNE X TastyTreat
Clouds

After coming across TastyTreat (now a TMN favorite), we couldn’t help but Say Yes to their last release in the form of a premiere. John Smith and Devin Hardy have become two of the tastiest producers in the realm of Future Bass and R&B. Notorious for making sexually pleasing beats and tummy tingling sensations, TastyTreat is back yet again with a new original, “Clouds”, alongside Oakland bae, KRNE. Loaded with 2 tablespoons of some sugary synths, 1 and half cups of chopped beats, mixed together in in a heaping bowl of delicious bass, “Clouds” is smouldering in a pot of 130 bpm goodness. If you’re struggling with an afternoon sweet tooth, then TastyTreat and KRNE are bound to satisfy that craving with the press of a button. This is where the cookie crumbles, so grab your free download and munch on some tasty beats.

Stay connected with TastyTreat on Facebook, Twitter, and Soundcloud.

Stay connected with KRNE on Facebook, Twitter, and Soundcloud.

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I See MONSTAS – Circles (Mat Zo Remix) [TMN PREMIERE]

I See MONSTAS
Circles (Mat Zo Remix)

First things first – make sure to prepare you ears for the unexpected because they may or may not experience a euphoric pain with the latest Mat Zo remix of I See MONSTAS beautiful DnB track, “Circles”. Last month, “Circles” made its way across our newsfeed and we plunged into a vicious cycle of conflicting emotions that made us run from the feels and straight to the Kleenex box. Now that we have experienced the tear-jerking wonders of the original, it’s time to unleash a grimey new rendition from one of dance musics most profound producers, Mat Zo.

Mat Zo is notorious for his eclectic style of production; whether it be his charming global heart-melting track with Porter Robinson, “Easy”, or his funky electro-house anthem, “Pyramid”, Mat Zo has certainly made a point to his listeners that he is not one to succumb to pigeon-holing himself to one distinct sound. Instead he just plays with whatever he wants and Zo-ifies (new word) it up until it has that signature MZ vibe we all are familiar with. Well ninjas, Mat Zo is back with another genre-pusher in his latest remix of “Circles” and gives us another reason why he is the master at keeping us on our toes. Loaded with heavy elements of dubstep and DnB, Zo throws us an aggressive (and elegant) curveball full of grimey, filthy breakdowns interwtined with a certain delicateness to balance out the flow of the track. After a few listens through this unexpected anthem, it became apparent to us that Zo understands that there is a certain beauty found within chaos, and this remix evidently shows his artistic ability to make us feel mental in a state of complete sanity.

Make sure to peep the original video of “Circles” by I See MONSTAS and cry your eyes out- take this as a warning because you will feel a lot of intense emotions after watching this. Look at this way, it’s Monday, so now you have an excuse to tell your boss why you’re crying like a baby who hasn’t had an afternoon nap yet.

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[Indie House] Born Cages – Rolling Down The Hill (Glastrophobie Remix)

Born Cages
Rolling Down The Hill (Glastrophobie Remix)

After a wild weekend full of beer bongs, bangers, and poor decision-making, we need a little break from all those Friday Party Playlist anthems and shift into a more mellow mood. What better way to enjoy a Sunday than with the likes of one of our favorite German porducers, Glastrophobie? This past Friday, the “Lucky” star unleashed his latest House remix of Born Cages sensational song, “Rolling Down the Hill”. This remix is a bit different from his typical melodic house work, but regardless of the shift, the young producer comes out on top. Loaded with electric guitar riffs, an uplifting build, and a kickin’ indie vibe to make our days of Summer feel that much longer, Glastrophobie gives us the warm fuzzies with this Born Cages anthem. So sit back, relax, and enjoy some Glastrophobie in between a little football. We guarantee this remix will satisfy you more than the entirety of Tony Romo’s football career.

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