Author Archives: Clayton Warwick

Amaroun – Fear [TMN VIDEO PREMIERE]

Fear
Amaroun

Following an impressive debut release, London-based Alt-folk singer/songwriter Amaroun continues to rouse tastemakers and music fans alike with another soulful offering. “Fear” released about a month ago and it’s as dreamy and powerful as the preceding “Bedbugs,” yet showcases another side to her developing musical persona. Gone are the wavering guitar chords and rolling percussion, and in their place, we’re embraced by layers of warm, buzzing synths. Though, as different as they are, each soundscape provides a completely unique, yet perfect backdrop for her pleasantly unconventional and highly addicting voice.

Today’s premiere brings a visual adaptation of “Fear,” which comes via Cardiff-based designer Jaron Lionel. Utilizing elements of Amaroun’s profile intertwined with creative animation breathes a completely different view of the track, leaving us completely entranced for the duration

If you’re feeling the combination of Amaroun’s unique vocals and animated story below, make sure you keep tabs on each and every new release. As they release throughout the coming months, they’ll be accompanied by an animated video, telling its story in an abstract fashion.

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[60s Soul] Ethan Burns – Homeward

Ethan Burns
Homeward

We’re always enamoured when artists decide to dedicate themselves to sounds and styles of past decades. From Michael Kiwanuka, to Nick Waterhouse, to Leon Bridges, we’ve loaded up our playlists with acts like these time and time again. Today, we gleefully get to add another gem into the mix.

At first, you may think you’re enjoying a retro soul track from long before you’re born. You’re definitely not, but that should say something about the level of talent and attention to detail in this debut release from LA-based Ethan Burns. Ethan’s voice drips with a gorgeous authenticity, one which very few have or can even come close to pulling off. It’s gritty, yet refined, leaving us unable to do anything but grin ear-to-ear, feverishly looking hitting play over and over again.

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[House] Fabich x Ferdinand Weber – Somewhere

Fabich x Ferdinand Weber
Somewhere

As soon as Thursday rolls around, we begin to turn our attention towards the weekend, anxiously awaiting a few days of pure freedom. Along with those end-of-the-week warm ‘n fuzzies, we also find ourselves manically ushering groovy dance tunes, just like this one.

Dropping last week on Majestic Casual, “Somewhere” brings the proper amount of melodic soul and energy that’s perfect for the start of a dance-filled weekend. We wouldn’t expect much less from two of our favorite German producers, as we’ve come to love pretty much everything Fabich and Ferdinand Weber release. This time around, though, we’re lucky enough to have both of them on the same track, showcasing both of their styles in one sitting.

“Somewhere” is the type of track that can be applied in multiple situations. The deep and soulful nature makes it perfect to have on while you’re chilling at home, enjoying your favorite adult beverage. On the other hand, the energetic piano melody and luscious bassline will definitely be appreciated as you boogie across the dancefloor.

Whatever situation you find yourself in, make sure to add this little gem to your weekend playlists on Soundcloud or Spotify.

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[Drum & Bass] Arctic Lake – Heal Me (SpectraSoul Remix)

Arctic Lake
Heal Me (SpectraSoul Remix)

We never really need any additional reasons to enjoy some gorgeous liquid drum & bass, but with the looming, blackish, grey clouds slowly wrapping around the Mile High City, we found ourselves yearning for something exactly like this remix of “Heal Me.”

Originally crafted by up-and-coming, London-based electronic pop act Arctic Lake, this tune was already rooted in a layered, melodic soundscape, coupled with stunning vocals. It seems only natural that they would look to have a top-notch drum & bass outfit take a crack at it, which is why they brought in the well-established SpectraSoul.

The end result is an uplifting listening experience that features appropriately upbeat percussion and beautifully drawn out breakdowns. Fans of the original still have plenty to call back on those fond memories of the original, but will now have an entirely new way to enjoy them.

This top notch offering from both acts should leave you looking for the repeat button. If you’re anything like us, you’ll happily oblige.

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[Artist Residency] um.. drops “Music We Like” on Spotify

For our next portion of um..’s Residency, we’re shining a spotlight on their recently released Spotify playlist, which is aptly titled “Music We Like.” If you’re expecting to hear a handful of only experimental, industrial, and heavy bass tracks, you’re in for quite the surprise. The collection definitely has some of those scattered throughout, but also includes some RnB, mainstream rap, jazz, and even some classical.

We asked them to talk to us about a few of their selections, which they, of course, responded in a way we would only expect from Ben and Dylan.

Tennyson – For You : This song is good to listen to when you’re good for listening to this song.

X&G – Whiplash ft. Josh Pan : This song is tight. When you listen you can tell it’s tight.

Rae Sremmurd – No Flex Zone : When you’re trying to get in the zone but you can’t flex. That’s how you know.

Howard Shore – Concerning Hobbits : 5/7 perfect song. I shore hope he doesn’t like jokes about oranges.

Caspa – Well Ard ft. The Others : If you real and you know it raise your fist. Put it down now, you real.

After you’re done checking this out, head over to SoundCloud and peep their latest release.

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[Giveaway] Wolfgang Gartner – Beta Nightclub – 5/26

wolfgang_support_may16

It’s been quite some time since we’ve been able to indulge in an evening of electro house with the legendary Wolfgang Gartner. Undoubtedly one of our favorite performers, he’s been tucked away from the limelight, taking a break from the industry and working on his stunning 2nd EP, 10 Ways To Steal Home Plate.

With that new album comes a collection of shows across the US, including our hometown favorite, Beta Nightclub. As you already know, we’re often down on 19th and Blake quite often, so we’ve teamed up with Beta and Wolfgang’s team to offer up a chance to win two tickets to his show on May 26th.

Entering is pretty damn simple. Just hook up a few follows through our contest app below.


Win 2 Tickets to Wolfgang Gartner @ Beta Nightclub (Contest on Hive.co)

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Elephant Revival discusses Petals, Red Rocks, and Green Chile [TMN EXCLUSIVE INTERVIEW]

Red Rocks season is in full swing, highlighting some of the best and most entertaining acts anyone would care to see. We’ve already made it up for a few notable shows, but the best outdoor venue in America still has so much in store, including a showing from Colorado-based folk outfit Elephant Revival.

We’re planning on being in those legendary stands this Sunday, but before we head out there, we thought it would be great to get to know this homegrown band a little bit better. So, we fired off a few choice questions to Daniel Rodriguez, who sings, and plays bass, banjo, and guitar.

TMN: Thanks for taking some time to sit down with us ahead of your first ever headlining show at Red Rocks. Let’s talk about that for a second. As a Colorado-based band, what does this mean to you guys?

ER: It truly is a great honor to be headlining Red Rocks. As a Colorado-based band, it means that the people who have been with us since the beginning can share in this experience with us. To have this world-class and incredibly epic venue in our backyard is a true gift. To be connected as we are to the Colorado music community—coming up through the jams and small venues, to now headlining Red Rocks—sure means a lot!

TMN: This performance closes out a pretty hefty tour in support of your recently released album, Petals. How has the reception been so far?

ER: The reception of our new material and all of the new sounds has been great. It's funny because when Bonnie picks up the cello, Charlie gets on the pedal steel, and I get on a drum, our fans become exposed to a sound that we have never produced live before. On tour, we found a balance of playing material off of our past records as well as off the new record. Intertwining both really helped people to welcome in the new. Mostly, I think people are mesmerized by how many instruments Bonnie can play. And then she sings, and how could that ever not be well received?

TMN: The album is phenomenal, by the way. The procession from start-to- finish was beautifully crafted. Did you write the album with a solid storyline in mind, or is this more so a collection of songs arranged in a specific order?

ER: Many folks have pointed out that they feel this is a conceptual album—that each song is one part of a larger story that the whole album tells. I'm shocked to realize that it does seem like a conceptualized album, because that's not what we set out to do. We just picked the songs that we and our producer were most excited about. Though it wasn't a conscious thing, perhaps it is a mystical thing that it came out sounding so cohesive.

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