All photos courtesy of Aimee Zawacki
Living inside of the blogosphere bubble can provide its users with an absurd number of inspiring positives; usually before many other consumers even have the chance. This adage was on full display last weekend as a buzzing gaggle of Ninjas took in an intimately moving performance from both Canada’s fastest rising avant-pop export Mas Ysa, and NYC experimental-pop darlings Tanlines.
First and foremost, we’ve had a rapidly expanding soft spot for the one-man musical stylings of Thomas Arsenault (who by the way was the biggest sweetheart in the world) and his Mas Ysa project, and had been anxiously awaiting his first ever Denver performance on our favorite foot-high stage in the city. With no local openers slated on the bill, we were coaxed into arriving near the opening of the Larimer Lounge doors to make sure we didn’t miss one minute of one of our most anticipated sets of 2015. Then, there he was. Arsenault slunked onto stage -shrouded in drapey black fabric, black hair already lacquered with backstage sweat, and as barefoot as a hobbit- straight into an enclave of Roland drum machines, MIDI controllers, vocoders, and synths. With the grace of a lofty gazelle, Mas Ysa gently worked into an opening cut; a cover of a yet to be identified Lower Dens single, and while Arsenault’s content doesn’t scream and demand its listener’s attention like so much of today’s most saturated pop music, the young Canadian commanded the small room’s attention with a relative ease usually reserved for already established veterans.
Standing inside of a shelter of machines, mic in hand, Mas Ysa moved through a few more cuts from his forthcoming debut LP Seraph, including a minimal and Nicole Miglis-less version of “Gun” and a stunning reimagining of “Arrows” (check out our feature on the tune here), with a subtly endearing physical presence that felt part Chris Carrabba and part Ian MacKaye, while we were musically transported from more streamlined vocal synth-pop as on “Look Up” to more baroque, melancholy affairs utilizing Arsenault’s slick grasp on the gritty techno and nuanced electronic indie contained within the structures of songs like “Sick” and “Running”.
Read the rest of our event review and check out some more photos from our evening with Tanlines & Mas Ysa after the jump!