Author Archives: Taylor

[The Glitch Mob Interview] An In-depth Talk with edIT about “Drink The Sea”, Acceptance of Electronic Music Around The World and More.

A complete honor for us to have this Interview. If you have followed The Music Ninja for the last couple of months, you know of our complete admiration for the Californian trio of progressive producers whose electronic music continues to evolve forcing bloggers and critics to redefine the taxonomy of their music. They will be playing this sunday September 5th at the Electric Zoo Festival in NYC. We have so much to talk about The Glitch Mob that we have chosen to disregard a segue and just get right to it.

Before you start reading our in-depth talk with edIT, how about some music? The Glitch Mob recently released “Drink The Sea Part 2: The Mixtape”, a collection of Glitch Mob mash-ups versus popular songs of hip/hop and electronic artists including an insane take of La Roux’s In For The Kill (posted below).

The Glitch Mob – The Glitch Mob Vs. La Roux

’TheGlitchMob_vs_LaRoux.mp3′

Download entire mixtape here along with tracklist

Bonus Track:
The Glitch Mob – Fistful Of Silence (Eskmo Remix)

’The Glitch Mob — Fistful Of Silence (Eskmo Remix).mp3′

Our electronic Ninja Taylor Doms, who also runs themixster.com was able to talk with edIT about their tour, the live performances and discuss more about their debut album.

Interview:

Q: First off, congratulations on the new album, it’s a huge step for you guys, produced one solidified narrative of your sound, big congrats.

edIT: Oh, thank you

Q: So you guys are fresh off of your international tour, ready to start back again in the States, but tell me, what was your favorite country or city in general that was the most memorable for you guys.

edIT: Oh wow, well there’s so many great shows and dates and memories from the past U.S. tour and the European tour, and it’s really hard to just pick one. I’d say maybe one that surprised me the most was Mobile, Alabama.

Q: Really?

edIT: Yeah *laughs* I’d just never been there before, you know, and it was just really interesting to just see how die-hard people are out there I guess, and a lot of music doesn’t really go through there, so when people come to your town everyone comes out and it’s an exciting thing. Also, Ashville, North Carolina was really great. That was also a really amazing city. Honestly, like a lot of the smaller cities that we’d never played before were the ones that really surprised me a lot on these past two tours. Continue reading

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[Interview] Wolfgang Gartner

California born electro / tech house producer Wolfgang Gartner (real name Joey Youngman), now based in Austin Texas, has not only been all over America touring coast-to-coast but his name remains prominent throught the beatport charts and the music blogosphere, and for a good damn reason. As Amonly describes it his profile, “Gartner is meticulous in his approach to crafting new tracks in the studio, contemplating how they’ll sound in different venues and new ways to pitch curveballs at the dance music cognoscenti-without using gratuitous gimmicks. Whereas many producers start with a rhythm track, Gartner is more likely to begin with a melody and a concept, and experiment… and experiment and experiment… until the pieces begin to click”. Make sure you catch him among an epic line up at the Electronic Zoo Festival In NYC.

I Will Be Here (Wolfgang Gartner Remix Dub) – Tiesto & Sneaky Sound System

’I
Will

Wolfgang Gartner – Undertaker

’Wolfgang Gartner – Undertaker.mp3′

Wolfgang Gartner – Conscindo (Original Club Mix).mp3

’Conscindo (Original Club Mix).mp3′

We sent our Electronic Ninja (Taylor Doms from TheMixster.com) to speak to Wolfgang Gartner and she “was able to pull him away from the celebratory momentum he’s been riding and talk with him about all the epic events he’s been playing lately and upcoming shows that he’s looking forward to, his recent collaboration with Deadmau5, and ask him to us about his true feelings in regards to the ongoing ninjas vs. unicorns debate, among many other things he graciously shared with us as well.”

So according to your Facebook, it seems you had a PRETTY good time on your International tour! ready to start back again in the States, but tell me, which country or city in general was the most memorable for you while you were out on tour?

Gartner: I mean all of the gigs were really good, that’s why it was such a good one and it’s kind of hard to pick a favorite but I would have to say the Beat Patrol Festival in Austria was kinda the best energy out of all of them. Caught me off guard.

And we heard Avalon was absolutely insane, how was that!?

Gartner: That was crazy at the Avalon. I guess it was the most people they ever had in there or close to the most people they’ve had in there, but yeah it was completely packed and that’s a big venue too. Really one of the best shows in my life, for sure. California’s a good place for me right now.

In the electro house genre how do you distinguish as a producer?

Gartner: I don’t completely know how to best answer the question. I just try to do stuff that other people aren’t doing. If I go through the top 100 electro house chart on Beatport, it all kind of has a sound to it, there are a few different styles, but basically everybody’s spinning in within these cubes that sound kind of generic and I really have trouble finding good music on there. I’ll go through the entire ‘Top 100’ and not find anything that really makes me go ‘wow’ you know? So I try to do something that’s beyond what people are doing or so different from what other people are doing that basically doesn’t sound like anything else on there.

Well, let me put it this way: If your music were an animal, what kind of animal would be?!

Gartner: I’m going to have even more trouble answering that one.??Haha We’ll go back to that one towards the end…

Gartner: OK.. Continue reading

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[Interview] The Big Giant Dog of Dubstep: Rusko

As dubstep expands and spread throughout the world like an unstoppable virus wobbling through the airwaves (with symptoms like having a severe urge to party), certain leaders of the genre have emerge to not only popularize it but transform it into an evolving beast of bass distortion. And this is where Rusko comes in. As Taylor from themixster.com writes “Since becoming a member of the elite mad scientists of sound that make up the Mad Decent cult, Rusko has been tweaking and adding a dancey lightheartedness to the wobbly genre; essentially inventing his own dubstep formula, that contrasted distinctively with the dark and gritty character that formerly generalized dubstep as a whole.”

Rusko – Woo Booost

’Woo Booost.mp3′

Rusko – Raver’s Spesh

’Rusko – Ravers Spesh’

Rusko – Hold On (Feat. Amber Coffman) (Sub Focus Remix)

’Rusko – Hold On (Feat. Amber Coffman) (Sub Focus Remix)’

Rusko will be playing at the Electronic Zoo Festival in NYC Saturday September 4th we could not wait until then to talk to him. Our Electronic Ninja and founder of The Mixster, Taylor Doms was able to sit down and have a chat with Christopher Mercer as she explored Rusko’s experiences in LA, his career as a producer and his take on the current electronic genres. Click here to read the entire Interview.

Q: How are you?

I’m actually on the freeway driving back to San Diego.

Q: Oh that’s great I’m actually in San Diego, I saw you last night and you did a great job!

Yeah one of the cd players was busted, so I don’t know what happened, I hope I covered ok.

Q: I saw that you went to comic-con today, what did you think of it?

It was a lot of fun actually. It was really really cool. I met with a lot of people so you know, hopefully there will be some Rusko tracks in some cool movies and video games too. It was a really cool place I couldn’t believe it, it’s the ultimate sci-fi geek fest.

Q: I wanted to ask you a few questions about Mad Decent and Dubstep of course,  so why don’t we get right into it: Your label Mad Decent is arguably one of the most forward thinking ground breaking labels: Always manipulating genres, fusing together music cultural influences, even creating new ones, How do you see yourself as an active piece of that puzzle?

Well, I have been friends with Diplo and Switch for a long time so being part of the camp was obviously a logical progression. One of the cool things about it is that I get to tour with those guys so I get to see my friends when I’m on tour which is really cool. But really it kind of is all about good vibes, you know. I think that is really why I wanted to be a part of it. My music is not particularly dark or aggressive like a lot of Dubstep is. It’s kind of a bit more fun and jolly and that’s really that thing: Fun and party vibe  kind of mad decent, right?

Q: Absolutely Its Mad Decent! California in particular is usually the last to get everything in the electronic music world and Dubstep is pretty huge here at the moment as you saw last night…

…Oh my god, yeah! I am playing Audiotistic tomorrow. They actually just moved me to the main stage right after Kid Cudi, I was headlining in the dance area but they were worried the security and the area wouldn’t be able to handle THE RUSKO!!! So the moved me to the Main Stage!

Seriously, It’s even overtaking the house crowd now which is insane. When it over took the Drum n’ Bass crowd Im like ‘yea this is really good. It’s doing really well’! But when Dubstep is pulling the same numbers as house DJs… That’s crazy! Because house is always the kind of dance music really. If we can sell more tickets and get more people than house DJs, that’s really cool.
Continue reading

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[Electro] Pocket 808 – Ghostship (Hook 'n Sling Remix)

My Photos  Pocket 808

Hook n’ Sling’s remix of Pocket 808‘s track “Ghostship” is so ridiculously opposite of the original, it’s sort of a headscratcher how this amazing remix came from well, this track. Both the dingos out of Pocket 808 and their mate Hook n’ Sling are straight outta the upside-down world of Aus, yet they most certainly produce two distinctively, polar sounds.

Pocket 808 seem to be surfing a salty set of glo-wave whitewashers — with a few extra strokes between a multiplicity of electronic rips, while Hook n’ Sling ferociously paddles into the dirty electro line-up, and drops in on way gnarlier bass-laden peaks: Massive sound waves that seem to tear up its dance floors with razor sharp bites and synthesized grinders. The sonar signals of Hook n Sling’s remix have been picked up by the aural radar, and was last spotted in Swedish House Mafia’s EDC set, as well as all across the DJ sphere — which really doesn’t surprise us at all. This track can be stretched wide across the spectrum of dance club DJ integration: It’s a long track with a huge potential to seamlessly slide into any set with cool easibility, with its extremely multi-faceted soundscape. And with the dark and sexy club edginess intermingling about halfway through — it’s positively swoonworthy

Pocket 808 – Ghostship (Hook ‘n Sling Remix)

’Pocket
808
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[Electro] Swedish House Mafia – One (Congorock Remix)

congologo_ms

Maybe I just don’t have my priorities straight or my electro fiendiness has clouded my common sense, but this track for me is the essence of the Summer of Love. Grab your girl, swing her onto your shoulders, and get ready to bounce to the tropical electronic grinds of this twisted little bender. A remix of Swedish House Mafia‘s track “One” Congorock has masterminded this juicy bit with stellar, Cumbia-inspired deep percussion and choral synths – that form the building blocks for the overall construction of the track’s massive reverberating soundscape; which are characteristic of Congorock’s sonic drives. Coupled with his bass-laden, reggaeton-in-da-club track “Babylon” released just this past March, Congorock has taken the dance tech soundwaves by tropical storm.

Swedish House Mafia – One (Congorock Remix)

’One (Congorock Remix).mp3′
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