Author Archives: TMN Staff

Get To Know: The Prototypes [TMN Exclusive Interview]

The Prototypes
'Don't Let Me Go' Feat. Amy Pearson (Original Mix)

Having been snapped up by Viper Recordings last year, Drum & Bass powerhouse pair The Prototypes have just released their new single. It follows on from the widespread success of the previous ‘Pale Blue Dot’ and certainly hits the spot for those who like their D&B dance floor-accessible. ‘Don’t Let Me Go’ is a euphoric, hands in the air track, featuring sublime vocals from Amy Pearson. It also comes alongside ‘Humanoid’, which continues in the theme of intergalactic-inspired bass lines that we have previously heard in both ‘Pale Blue Dot’ and ‘Abyss.’ We took some time to speak to The Prototypes about this new release, their forthcoming LP and other musical projects.

TMN: Viper Recordings seems like the perfect fit for you guys and your particular sound. Is it nice to be settled with a stable output for music now? 

Most definitely, and we think it is showing in our output that we are settled and happy and creating music that we want to listen to. The Viper crew have been great since we joined.

TMN: While still undoubtedly drum & bass, ‘Don’t Let Me Go’ nods somewhat to House with its lead line piano chords. What was your aim when writing it? 

To put it simply, we just wanted to write something with a nice summer vibe to it. That was all it was really. The vocal is sick and we hope we have done it justice.

TMN: ‘Humanoid’ definitely targets the D&B heads. How difficult is it balancing a track that might have wider appeal with something that roots itself directly in the scene like this one?

It’s so important to cater for the peeps that like the harder dance floor stuff..That is where we came from, and we will continue writing those sorts of tunes as we love making them.

TMN: You’ve done a number of ‘The Prototypes Presents… ‘ nights this year and have a boat party coming up. Do you like putting on your own events? 

We both come from promoting backgrounds many years ago so it was inevitable that we would start them up again at some point. We feel it’s really, really important for ‘The Prototypes’ as a brand to have a successful event attached to the name, and so far they have been amazing.

TMN: ‘Pale Blue Dot’ is still ripping up clubs months after it’s release. Are you happy with how well received the track was particularly as it was your first single for Viper? 

We are so happy with how it’s done. It was an experimental track for us but it just seemed to work for everyone, the support on it was insane.

TMN: You’ve done a version of ‘Don’t Let Me Go’ called the “Big Top Remix”. Have you ever been to the circus or considered running away and joining one? 

Chris used to be a trapeze artist but I thought that was a bit off key! I was rescued from a circus a few years back in outer Mongolia… true story.

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2014 Mega Summer Playlist Vol I: Indie Rock & Folk

As the calendar slowly turns another page, bringing to most what is considered as the last month of summer, we can only hope to make the best of what’s left of this incredible season. For most of you out there, you’ve probably hit a festival or two. For some, you just simply enjoyed being outdoors, doing what you love. Whatever it is you have on deck for the next month, we have you covered as far as tunes go.

To celebrate the last three months of incredible music, we’ve once again banded together as a clan, calling on ninjas all over the world to give us their favorite tunes from the summer months. Just as we did last year, we’ve created you four top-notch playlists, starting this week with our Indie Rock and Folk selections.

The 2014 Mega Summer Playlist Vol I: Indie Rock & Folk is stacked top to bottom, ranging from laid-back vocalists singing over a singular instrument, to fast-paced garage rock bands, who will get you out of your seat, to everything in between. Press play and get ready for over 100 songs of greatness.

’Vance Joy – Riptide’
’Young Rising Sons – High’
’DWNTWN – Til Tomorrow’
’The Griswolds – Beware the Dog’
’Absolutely Free – Beneath The Air’
’Jeremy Loops – Skinny Blues’
’Kid Astray – Taking You With Me’
’Noosa – Sail’
’Nate Eiesland – Drifting’
’Mainland – West Coast (Coconut Records Cover)’
’ESCAPISTS – Eyes’
’Husky – I’m Not Coming Back’
’I Am the Sky – Half A Man’
’Cold Weather Company – What Do I Do’
’Sean Oneill – Vienna’
’PHOX – 1936’
’The Oh Hellos – Second Child, Restless Child’
’GEMS ≠ Scars’
’Washed Out – Don’t Give Up’
’Gardens & Villa – Bullet Train’
’Tokyo Police Club – Hot Tonight’
’Young Rising Sons – King Of The World’
’OK Go – The Writing’s On the Wall’
’Colony House – Silhouettes’
’SALES – vow’
’Somos – Dead Wrong’
’Bad Suns – We Move Like The Ocean’
’Friendly Fires & The Asphodells – Before Your Eyes’
’Future Islands – Seasons (Waiting On You)’
’Tennis – Mean Streets’
’Jack + Eliza – Hold The Line’
’St. Vincent – Digital Witness’
’Hospitality – Rockets and Jets’
’MISUN – “Eli Eli”‘
’The Black Keys – Fever’
’MYNGA feat. Cosmo Klein – Back Home (Original Mix)’
’Field Mouse – “Two Ships”‘
’Tycho – L’
’White Reaper – Half Bad’
’Jack and Eliza – Secrets’
’We Were Evergreen – Daughters’
’The Holidays – Tongue Talk’
’Real Estate – Talking Backwards’
’Frankie Animal – Obsession’
’Wolfgang – Black River’
’Kishi Bashi – Philosophize In It! Chemicalize With It!’
’Magic!
Rude’
’Bleachers – Shadow’
’Carla – Heart Trips’
’Bad Suns – Salt’
’Gold
Bears – For You’
’Oslo Parks – Twin’
’White Reaper – Cool’
’Sonic Avenues – In Your Head’
’HAIM – My Song 5 feat. A$AP Ferg’
’Alt J – Left Hand Free’
’Mexico City Blondes – Fade’
’Panama Wedding – All Of the People (RAC Mix)’
’Panama Wedding – Uma’
’Noosa – Wildfire’
’Only Real – Cadillac Girl’
’Lowell “I Love You Money” (from ‘We Loved Her Dearly’ out Sept 16)’
’Bruno Merz – Into The Air’
’Tennis – 100 Lovers’
’Prelow – For The Team’
’Tennis – Never Work For Free’
’Lana Del Rey – West Coast’
’Tin Gardens – Crossed My Mind’
’Brett – Golden’
’Brett – Chalon’
’Anders – I Wish (You Were Mine)’
’Spoon – Do You’
’Decorations – Girls’
’Bad Suns – Dancing On Quicksand’
’Death From Above – Trainwreck 1979’
’S – Vampires’
’La Sera – Running Wild’
’Tacocat – “Crimson Wave”‘
’The Tins – They Aren’t Evil’
’Avi Buffalo – So What’
’Generationals – Gold Silver Diamond’
’Noosa – Walk On By’
’St. Lucia – Forgiveness’
’Coasts – Oceans’
’Coasts – Tonight’
’Wooderson Slater – The Lake’
’The Rentals – Thought Of Sound’
’Jenny Lewis – Just One Of The Guys’
’Fake Laugh – Nothing But Good’
’WOODS – Tambourine Light’
’WOODS – Leaves Like Glass’
’Lana Del Rey – Shades Of Cool’
’Coldplay
Magic’
’Bob Mould – I Don’t Know You Anymore’
’Wye Oak – Logic of Color’
’Hospital – Revelation’
’THE CLOCKTOWER – Take A Chill Pill’
’Niykee Heaton – INFINITY’
’Young Man – Five’
’Hundred Waters – Xtalk’
’Black Honey – Sleep Forever (Demo)’
’Real Estate – Crime’
’The Raa – Terrified’
’The Careful Ones – For A Moment’
’Foxes in Fiction – Shadow’s Song’
’Metronomy – I’m Aquarius’
’Ruu Campbell – The Call(Heartsong)’
’Axel Flovent – Beach’
’Nick Hakim – The Light’
’Nick Hakim – Cold’
’Smallpools – Killer Whales’
’COMPNY – Begging Me To Come Back’
’Model Aeroplanes – Innocent Love’
’High Tyde – Karibu’
’Bombay Bicycle Club – Luna’
’Phantogram – Fall In Love’
’Broken Bells – After the Disco’
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[Festival Review] TMN Dives Into Denver’s Underground Music Showcase

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The UMS Main Stage (Photo Credit: Robert Castro Ultra5280)

If you’re wondering whether or not Colorado’s music scene is embodied solely by bass-heavy barons devastating Red Rocks on a regular basis, or the constant national and international accolades given to Beta Nightclub year after year, you can stop that right now. While much of the Mile High City’s music scene’s notoriety falls into those two aforementioned venues, The UMS flexed it’s mighty indie muscle two weekends ago, showing the city, the state, the nation, and the world that a handful of tiny venues deserves just as much attention.

Taking over one of Denver’s most prized neighborhoods, The UMS flooded the numerous dive bars, galleries, and restaurants that adorn the colorful South Broadway stretch. In a meticulous blend of some well known acts coupled with hyper-indie (so indie, even the hippest of your friends haven’t heard about them yet) there was more than enough to appease the auditory appetite of the thousands of festival goers that flooded the streets.

Knowing that there was too much music for one ninja to cover, we had to break up The UMS between two from our clan. Check out what Matty and Clayton experienced during their first full experience of this must-attend event.

Day 1, Thursday:

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CRL CRRL. (Photo Credit: Robert Castro Ultra5280)

While we couldn’t yet make it out in full force to the first night of Denver’s incredible Underground Music Showcase, we did manage to make it to one of our favorite electronic artist’s sets, with CRL CRRLL (pronounced Carl Carrell) at Blue Ice. An abbreviated set to say the least, CRL CRRLL managed to warp our minds through different texturized soundscapes played off of his bevy of machines, MIDI controllers and gadgets on stage through the 40 minute performance. This was the second time we’ve had the pleasure of witnessing him live, as he played our TMN presented show in Denver with Young & Sick (which if you haven’t heard his remix of their tune “Glass”, check it out below) and it seems in the short span of time, CRLCRRLL’s reached a more fluid, comfortable and mature stage presence.

’Young & Sick Glass Remix By CRL CRRLL’

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[Remix Package] HELENA – Levity

Rewind a couple of months and rising star HELENA released the highly infectious ‘Levity’ ft. Shawnee Taylor on Ultra. It certainly hit the spot for fans and DJs alike and remains a staple on the electro house circuit to this day. Now, to be released on July 28th via the label, a four-track remix EP lands – manipulating the original’s vocal hook and pulsating rhythm to new territory.

Stepping up first is young New York producer Fareoh, who delivers a gently building remix based around the soft use of piano in the intro. For those wanting a deeper and slightly darker sound, Maarcos is your man. Going for a more tech-inspired rework, he uses the ricocheting pulse with intense detailing. None of the energy is lost, but it’s a chanced to delve beyond the obvious core of the tune. Italian duo Merk & Kremont provide the third addition, pouring in their trademark groove and bounce, and making their edit full of fun. The fourth and final remix is yet to be revealed, and HELENA will have selected a winner from a recent TalentHouse competition.

’HELENA feat. Shawnee Taylor (Fareoh Remix)’
’HELENA feat Shawnee Taylor – Levity (Merk & Kremont Remix)’
’HELENA feat. Shawnee Taylor – Levity (Maarcos Remix)’

This EP is a delicious collection of new sounds, taking an already classic sun-soaked anthem to new heights. Pre order a copy here.

 

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Getting to know: Starz Angels [TMN EXCLUSIVE INTERVIEW]

Starz Angels Feat Mariana Bell
Up Tonight [Now on Beatport]

Light-hearted dance music duo Starz Angels dropped the infectious, fiery ‘Up Tonight’ on Dutch label Made2Dance a couple of months back, and the tune has just come to attention once again, via the release of its unofficial video. The original track, featuring wonderful vocals from Mariana Bell, gathered a solid selection of support across the scene, and increasing the French pair’s popularity as producers and DJs. Ahead of the unveiling of their fun-filled antics in the video, we caught up with Starz Angels to find out more about their music.

TMN: How long have you been writing music for? Has it always been as a duo?

SA: We started producing together 4 years ago. We sometimes produce together and sometimes separately either for Starz Angels, or for other artists.

TMN: You recently released ‘Up Tonight’ with Mariana Bell. What was it like working with this talented vocalist and how did you come up with the lyrics for the track?

SA: It was very easy and pleasant to work with Mariana. She is very efficient and immediately understood our universe.While humming the melody, the first words that Mariana came with were “I will keep you up tonight”, from there we exchanged ideas around that theme so she could develop the song writing.

TMN: The ‘Up Tonight’ Official Music Video has finally dropped. How long have you been working on this?

SA: Between the organisation, the filming and the post-production, this project took us just over a month of work.When you watch the music video, it may seem simple, but it is a lot of work, especially because we intervene at each step of the production process.

TMN: We see one of you dress up in the famous Kiss masks. Was that for a bit of fun or have they been an influence on you musically?

Ka-ess: People used to call me “Kiss” when reading my DJ name; in fact it is pronounced “Ka-ees.” So eventually I had to pay tribute to the legendary rock band!

Le Kid: The drop has always made ​​me think of a metal /rock track, with a headbanging electric guitar riff. It was a good time to pay this tribute.

TMN: What’s next for Starz Angels in terms of releases?

SA: We are mainly working on Big Room tracks to rock festivals and clubs. Stay tuned!

 

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Far Too Loud returns with a boom! [TMN Exclusive Interview]

Far Too Loud
Boom! [Preview]

Electro whizz kid Far Too Loud steps up with his new single ‘Boom!’, to be released on No Tomorrow Recordings, July 7th. The UK-based producer crossed over to big sister label Never Say Die at the beginning of the year, but now returns to his previous home for this track release. Pulling no punches, this one dives in with a rhythmically satisfying introduction. No stranger to incorporating samples, FTL has packed this one with various sounds and excerpts, including shouts of “Boom!” throughout. Despite a nod to big room, the middle section is almost trance-like, an anthemic conclusion to a summer festival killer. We got chatting to the man behind the music.

TMN: You’re from Brighton, UK – how has your hometown influenced your time in music?

FTL:  It’s a great place to live, but I don’t feel it influencing my music at all.  I love the occasional day off in Brighton – hitting up the shops, pubs, a good restaurant, but my main source of inspiration is the atmosphere at the shows I play and the tracks I see really going off.

TMN: You’re playing the States as well as all over Europe. How do you find the varying global scenes? Any major differences?

FTL: I still find that I can go a bit harder in my European sets. American crowds need more vocals and familiar elements to a set, which I don’t mind though. It’s cool to work out interesting ways of doing that.

TMN: You have a new track, ‘Boom’, coming out next week. What sound were you aiming to hit on this one? How did you come up with the idea for it?

FTL: The melody popped into my head when I was walking to the shop late one night. The drop was originally more bassy, but I started playing around and the current one just stuck in my head, so I ran with it. I wanted to do something more current but that still sounds like an FTL production.

TMN: What do you like to do outside of the studio? Where do you like to chill out?

FTL: There’s not that much free time I get between studio and gigging, but I prefer to spend that time doing something culturally enriching.  Gigs, exhibitions, theatre, restaurants, pop-ups, any weird or unusual events.  I want to experience or find out about new things.

TMN: What are your aims for the rest of 2014 and heading into the new year?

FTL: I’m working towards a bigger release and tour towards the end of the year, then I’m going on holiday on 2nd January!

TMN: Any shows you’re particularly looking forward to this summer?

FTL: I’m most looking forward to the outdoor festival sets. I’m on my way to the USA as I write this where I’ve got Big Liberty, then up to Canada for Valhalla Sound Circus and Astral Harvest. Then it’ll be back to UK and Europe for some more including Noisily, Beatherder, Let It Roll and Uplands. Also a South Africa visit at the end of the summer for Grietfest will be awesome.

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[DnB] Pola – Sound Killa / Little Do I Know feat. Bryzone

The fourth digital release from East London’s Soulvent Records comes from Pola, one third of the label’s personnel. His debut release ‘Sound Killa’ blends new and old influences well – mixing warm liquid tones with an old school rolling beat. Out on July 6th, it features a well-known jungle sample alongside surging drum progessions and rave-style piano chords.

On the flip meanwhile comes ‘Little Do I Know’. Features vocals provided by Pola himself,  it also features label mate Bryzone. A stirring and atmospheric track, Pola blends melancholic chords with a gritty live drum sound.

These are two sophisticated pieces of work from producer and DJ Pola, who has gained a nod of approval from the likes of Hospital Records artists Etherwood and Logistics. We look forward to hearing more from this young talent.

’Pola – Sound Killa’
’Pola – Little Do I Know feat. Bryzone’
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