Author Archives: TMN Staff

[Trap] Gold Top & Soulja Boy – Gold Like This

Gold Top
Gold Like This (Feat. Soulja Boy)

Luke Skywalker Indiana Jones (yes, that’s his legal name) AKA Gold Top, is back with yet another floor-shaking sound that is self-described “gold”. To much surprise, hip-hop king Soulja Boy makes an EDM debut, with booming, incessant vocals that appropriately tie in with the track’s bass vibes. This three-and-a-half track throws in a blend of Gold Top’s signature samples, as well as some new and unheard of orchestral structures, which are all wrapped neatly into one aggressive tune. After releasing his free single “I Know” just a few months ago, he bursts back onto the scene with a masterpiece that is nothing short of amazing.

Purchase your copy of “Gold Like This” via Dirty Duck Audio exclusively on Beatport today!

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[Drum & Bass] Kove – Way We Are

To be released on 22nd in the UK and the 24th June for the US, the incredibly versatile Kove delivers his next single via Chase & Status’ MTA Records. Another opportunity to display his effortless production style, ‘Way We Are’ is a sun-kissed slice of bassy House. Featuring the crystal clear vocals of Melissa Steel, the track has hints at old school rave tunes, with its use of piano chords and bouncing rhythm. Accompanying the original comes a Dub Mix, which gives the track’s Jungle-inspired elements another showcase, an Extended Mix and a spirited 174 Mix.

Having risen to attention via his mammoth dance floor tearing drum and bass, Kove stays true to his roots and also releases ‘Liberator’ on the flip. It’s a surging piece, with rapid and explosive drum patterns and a shimmering melody.

Flourishing in every style of production he attempts, Kove is most certainly an artist to keep an eye on. This pair of tracks are an essential additions to any summer playlist. Time to dance! Pre order here.

’Kove – Way We Are feat. Melissa Steel’
’Kove – Way We Are feat. Melissa Steel (174 Mix)’
’Kove – Liberator’
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The McMash Clan – Birds Sing EP

Dropping at the end of last month on Circus Records, The McMash Clan‘s ‘Birds Sing’ EP has garnered a wealth of praise across the bass scene. The 3-man production and DJ group are known for creating hugely versatile material and  this collection of work is no exception. With a groove-filled, down tempo remix of their track ‘Jericho’ from Dodge & Fuski, other collaborations include the title track with band Late Day Breakers and orchestration and vocals of ‘Requiem’ arranged by Kate Mullins.

This EP quite simply takes you on a musical journey through the realms of bass – exploring Drum & Bass, down-tempo and Reggae-tinged Glitch Hop. Each track is effortlessly catchy and produced with inimitable style – a real essential addition to any collection and I look forward to hearing more from this trio.

Grab a copy of ‘Birds Sing’ here.

’Birds Sing (feat. Late Day Breakers)’
’Shadow Dance’
’Requiem (with Kate Mullins)’
’Jericho (with Million Dan) (Dodge & Fuski Remix)’
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A Talk With Apashe [TMN Exclusive Interview]

’Apashe – Golden Empire (EP Preview Mix)’

French-born, Canadian-based, the talented upcoming bass-music connoisseur known as Apashe has been making big waves in the electronic music scene as of late. From working his day job as a Sound Designer in Apollo Studios, to playing live-energy sets at Montreal’s most notorious nightclub, Le Belmont, this one brings the full package. Recently, The Music Ninja had the great pleasure of speaking with Apashe, to talk about his upcoming EP which he just released previews for yesterday, Golden Empire on Kannibalen Records. The producer talks about inspiration behind the release, and how he was able to garner such a following as an artist:

TMN: Thanks for taking the time to do this interview with us today, John. For people who have never heard of you, describe the music you make in three words.

Apashe: Heavy, Epic, Trap

TMN: How did you finally come to the name ‘Apashe’ when beginning music production?

Apashe: It’s a really long story, but to keep it short: my friends used to call me ‘L’indien’, which means ‘Indian’ in French, just because I’m 1/4 Indian. However, when I started making music, I searched for a cool name that I never found so I though “f**k it, I’ll just call myself ‘Lindien’. I thought it was kind of cool until I started playing for people who did not speak French.  Then I realize how terrible it sounded in other languages. At that moment, I searched for an alternative and another friend came up with ‘Apache’. We found it bada**!  The only thing was that there were already a band called ‘Apache’ as well as an MC by the name of ‘UK Apache’.  To make sure I could distinguish myself from the others, I just changed the ‘c’ for an ’s’.

TMN: The guys from Kannibalen Records have certainly played a big role in your career. How do you feel they’ve helped to establish you as an artist and when did you first meet them?

Apashe: I first met them three years ago when I freshly moved from Belgium to Quebec for studying. A friend ‘Lektrique’ introduced me to them. I thought it would be good to work with them a bit in order for me to meet new people and learn more about the scene in Montreal… I never would’ve thought of it leading to this. Today, I believe it might be the best thing that ever happened to me. How I feel they’ve helped me; besides, from the fact that they work really really hard to push me, I think they’ve helped me getting the “self-confidence” I needed to succeed in life. I have always been doubtful about everything I was doing. Is my music good? What am I really doing of my life? They made me realize that it doesn’t matter if what you do is good or not as long as you keep working to get where you want. If you don’t give up I don’t see why you wouldn’t progress and at a certain point getting at a good level. If I look at everything I’ve done in those three years, quite a lot wouldn’t have happened if they weren’t there. Today, we’re like a family, yet a bloody family that is really hungry and not afraid to struggle to achieve our goals. Watch out!

TMN: Who are you most influenced by and who were some of your inspirations before electronic music?

Apashe: There was no ‘before’ electronic music for me, I was born in 1992. I’ve always been into electronic music. My dad used to listen to plenty of musical genres. Classic, Jazz, Metal, as well as electronic music. I can’t remember the first time I heard a Prodigy track but I’m sure I was hearing it before I even knew what music was.

My influences (electronic music): Most of my inspiration does not come from electronic music but if it does I would say Prodigy for the energy and originality, Fat Boy Slim for the grooves, and Noisia for their tight drums, basslines and heaviness.

My influences  (not electronic music): Danny Elfman who compose all the soundtracks for Tim Burton’s film has something really unique that I admire. Hans Zimmer for his Epic orchestrations in films like Inception, Batman, Gladiator etc… Then completely different, but I really like Dr Dre and the way he re-samples old funk hits to create new Hip-Hop hits.

TMN: What was your musical background like while growing up? Did you have any knowledge of organic instruments?

Apashe: My dad has played in several bands when he was younger. For him it was really important for my sisters and me to learn an instrument. So, I use to play drums and then I took some music theory classes when I was a child. However, I was too young and forgot everything. Ten years later, I had to learn everything again in university for some orchestration classes.

TMN: Your upcoming EP ‘Golden Empire’ has certainly been quite an interesting topic of discussion lately. How did the collaborations with Zitaa & Odalisk come about and where did you get the inspiration from?

Apashe: Zitaa and I work both for Apollo, the studios where I work at. It only takes a second for us to jump in a studio and try out something. I was working on ‘Golden Empire’ and though it had be cool to have her singing on it. So one day I just ask her “Hey, want to sing on something?” It took us two hours to brainstorm, write the lyrics, record and edit her voice and we were both damn happy with the result!

The other track Sand Storm, I got the same feeling as with my other track ‘No Twerk’. It’s violent and has a lot of heaviness in the lows. Therefore, it needed some high-pitched violence. I immediately thought about Odalisk who delivers exactly what the track needed, some bad a** female violence.

TMN: Thanks for the interview, John. Any new and exciting projects you think we should know about?

Apashe: After this upcoming EP, I want to take some time to finish up some secret collabs I’m working on. All I can say is there will be collabs with sick French producers as well as Hype Americans Producers. I’m also preparing a videoclip that should be ready in the early fall. Be sure to keep an eye out this Tuesday for my release on Kannibalen!

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[Electronic] The McMash Clan – Birds Sing Mini Mix

The McMash Clan
Birds Sing EP Mini Mix

The 3-man production trio The McMash Clan released their debut EP earlier this morning for Circus Records, and it’s quite something. The label is becoming increasingly varied in their musical scope, and this group is one of the most versatile within the bass scene at the moment.

Their Birds Sing EP takes you on a musical journey, exploring glitch, drum & bass and trap along the way – and all produced with immaculate attention to detail. They bring on board Kate Mullins, Late Day Breakers and Dodge & Fuski – with the latter remixing their glorious “Jericho.” A must-listen for any bass head, you can purchase a copy here.

 Be sure to check out this exclusive minimix below for a taste of the EP.

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[Drum and Bass] BMotion – All My Love Ft. Jon Lilygreen

I was delighted to stumble across the sounds of young producer BMotion back towards the start of the year and I’m thrilled to see that he drops his follow up release on the 18th of this month. Once again releasing on the quickly establishing Soulvent Records, drum and bass new boy BMotion drops two beautifully crafted tracks in the form of ‘All My Love/Reflections’.

The single uses the crystal clear vocals of Jon Lilygreen – who was also picked up by the producer to sing on his debut piece ‘Circles’. An uplifting and vitalic track, ‘All My Love’ glides along, balancing loose, flurried drops with the warmth in Lilygreen’s sound. ‘Reflections’ is my favourite of the two, and it really showcases the serenity and emotional drive behind BMotion’s music. It’s a more toned down slice of liquid – and the melody is enveloped by the resonating, twinkling use of piano chords. He has used a recording of himself playing the drums in this piece, and they increase the urgency with smattering breakdowns underneath the stirring, yet gentle vocals. The soundtrack to a summer dream.

I continue to watch the development of Soulvent Records with great interest – their ability so far to select young, passionate composers is hugely encouraging, and each release seems to be incredibly well thought out and of the highest quality. BMotion is surely on track to get snapped up both by promoters for bookings and labels for exclusivity. I am already excited for both this producer’s next steps and the continuation of the Soulvent Records platform.

’BMotion
All My Love Ft. Jon Lilygreen’
’BMotion
Reflections’
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Five Ninjas. Five Coachella Stories. [Event Review]

Story 1 – Clayton Warwick

Day one of Coachella was an interesting one for me. Coming off of a full day of food poisoning hell, sitting through twelve hours of hot sunlight was the last thing I wanted to do. None the less, I bucked up and rode down to the festival with our crew. Despite severe dehydration, an uneasy stomach, and a blinding headache, I made my way through some of my favorite artists that were playing that day.

Before I delved into performances, I had to stop off to interview the legendary Gareth Emery in the press area. Thankfully, they were fully stocked with hydrating beverages, which helped my recovery quite nicely. After a fun and engaging chat with Gareth, I was ready to take on what day one had to offer.

The highlights were too abundant to cover in great length, featuring notable sets from Ellie Goulding, Aloe Blacc, Zedd, and of course Outkast. While Outkast’s performance wasn’t my favorite musically, it was still amazing based on the sheer nostalgic appeal. I found myself belting out lyrics through a queasy stomach on multiple occasions, simply not giving a fuck at how I felt. At that moment, I knew they had something special going.

Day two was a much more enjoyable experience for me, especially given the fact that I saw the most impressive set of the entire festival, in my honest opinion. We worked our way to the very front of the Mojave tent to catch the always entertaining post-rock instrumental band Mogwai, and were absolutely blown away. In a 50 minute set of pure musical intoxication, Mogwai utilized their slow, building rhythms to provide a complete encapsulation. It was truly amazing.

There were other highlights from Day two as well, including an absolute ear-fuck from Skrillex, whose visuals essentially were the internet boiled into one 50 minute set. Other acts that impressed included Kid Cudi, Capital Cities, Head and the Heart, and City and Colour.

Day three was probably the most memorable for me, musically, as I was able to witness some acts I’ve been writing about for the past few years. Right out of the gates we caught James Vincent McMorrow, who had the best vocal talent out of any artist at the festival. His set was mesmerizing, and was then followed up nicely by his labelmate, The 1975, who displayed their up-and-coming rock god status. Matty casually flipped his mic cord around as he strutted the stage, boasting nothing but sheer swagger.

For the last few sets of the night, we were honestly so exhausted that we listened from afar, sitting with the aching-foot crowd of parents and older festival-goers. Disclosure was nothing short of stunning, even though we couldn’t see the stage from where we were at.

Once again, Coachella has proved to me that no matter how hard you try, your plans will be proved futile. It’s so easy to get caught in the moment, forgoing your well thought out plans for those of the friends you are with. It’s both a blessing, and a curse, but 100% worth every minute of it.

Story 2 – Brooke Ferguson

As I walked into the Polo Fields Campgrounds, I instantly felt like I was at home. Each and every year that I attend Coachella, I automatically know that my mind is about to enter into an entirely new dimension full of phenomenal music, abstract art, and memories to last me a lifetime. This year, I decided to change up my festival routine and experience music on an entirely new level. I ventured off into a hypnotic place where I was surrounded by some of the most enchanting people I have ever come across. Their love for music and inter-human connectivity fulfilled all of my festival cravings. There is nothing more exciting than being around a bunch of weirdo’s who love to vibe on a level that promotes the provocation of a divine synchronicity.

Every day brought forth new experiences, new people, and new music. It is nearly impossible to see everyone you plan to watch, but I guess that is what makes Coachella such an adventure in and of itself. We are given the opportunity to either solidify ourselves to a strict schedule, or we can simply allow our wandering souls to guide us towards the unknown; the only place where insurmountable beauty exists.

This year at Coachella, I decided to let the music bring me solace and peace of mind. I spent a lot of my time underneath the glorious Sahara Tent where the bass could be felt a mile away. I should have remembered to bring some diapers with me because there were plenty of sketchy moments where I could have totally lost all control of my bodily functions. When you have artists like Dillon Francis, Carnage, The Glitch Mob, Krewella, and more, the probability of crapping your pants increases with each rise in frequency. I know I wasn’t the only one who experienced moments of uncertainty as to whether or not it was the beat that dropped or my pants. I am still contemplating this to this day.

Overall, Coachella provided its attendees with a wide array of talent to please everyone’s musical inclinations. Having an eclectic taste in music made it extremely difficult to choose my top acts of the weekend. After nearly a week of battling an extreme case of cognitive dissonance, I have finally made up my mind as to who blew my mind away. The winning sets this year go to: Flight Facilities, Cage The Elephant, Kill Paris, and Adventure Club. Each of these artists evoked a different side of me, whether it be my inner diva at Flight Facilities and Kill Paris or my inner flower child at Cage The Elephant. I guess it’s safe to say that I can diagnose myself with multiple personality disorder because there were many different sides of me that made their debut that weekend. Only at Coachella is it socially acceptable to black out from being over-stimulated by your surroundings and not recall the absurdity of your behavior.

Now that my favorite festival has come to an end and the post-Coachella depression has subdued, I must endure the next 365 excruciating days of monotony until I can once again return to my Utopia.
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