Author Archives: Timothy Hudson

[Album Review] Iron & Wine – Kiss Each Other Clean

When the traditionally soft-spoken Iron & Wine released The Shepherd’s Dog in 2007, it was quite obvious that Iron & Wine was departing from beaten path. The album was met with critical acclaim, and was praised for its new sound. With his latest effort, Kiss Each Other Clean, the bearded master of music has changed his style yet again, but this time, to a more focused pop sound.

I previously stated that this album would be Iron & Wine’s “going electric” phase, and would likely polarize his audience much like Dylan’s Highway 61 Revisited. Much like that album, Sam Beam hasn’t lost any of his talent for songwriting or arrangement, and his skill shows on practically every track of Kiss Each Other Clean. While album openers, and previous released singles, “Walking Far From Home” and “Tree by the River” steal the show as the most immediately likable songs on the album, all of the other songs are equally as enjoyable to listen to as they carry you off to a place of intimate relaxation. Perhaps the best example of this intimacy is found in “Godless Brother in Love,” a song in which Iron & Wine’s soft arrangement and melody seem to relax every fiber of my being. Equally impressive, “Half Moon” brings back memories of The Shepherd’s Dog more simple tracks, and is quite possibly the song that most resembles the traditional Iron & Wine we knew and still love.

However, the highlight of album for me is found in the sixth track, “Rabbit Will Run.” It’s one of those songs that immediately stick with you. From its onset to its climax, the five minute epic captures you in its intricate and delicate arrangement. It’s a track that is nearly impossible to dislike, and will likely be a favorite for many.

The skill and ability of Sam Beam never ceases to amaze me, and while Kiss Each Other Clean may not be a return to Iron & Wine’s acoustic and gentler side, it is still in fact Iron & Wine. The skillful instrumentation and masterful songwriting are unmistakably Iron & Wine, and the album shines as bright as all of his past efforts, and in some sections, even brighter.

Iron & Wine – Walking Far From Home

’Walking nfar from home’

Iron & Wine – Tree By The River
’Iron & Wine – Tree By The River.mp3′
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[New] Datarock – Catcher in the Rye

Datarock has never been one of those bands that do something subtly. 2009’s Red saw the duo wearing bright red hoodies and delivering one of the finer examples of electro-dance in the past few years. In between touring, the electro-dance duo have been busy recording new tracks for the band’s third album, Music for Synchronization, and a brand new EP, Catcher in the Rye. And in their infinite kindness and electro-beats, the duo has released the titular track of their new EP for free.

When you’re listening to “Catcher in the Rye” it’s hard not to notice the track’s chorus hearkening back to 80s rock scene. While the overall tone is quite different from Datarock’s extraordinarily catchy and romantic “Amarillion,” much like it, it is just as suited to normal listening as it is to dance floor, or even the 1980s. It is an amazing addition to their already quite extraordinary collection of songs, and has quickly become one of my favorite tracks by the duo.

Datarock – Catcher in the Rye

’datarock_
_Catcher_In_The_Rye.mp3′

[Via Spin]

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James Blake – Wilhelms Scream

The understated British electronica artist and composer, James Blake quickly found a place in our hearts and minds when he phenomenally covered Feist’s “The Limit to Your Love,” which brought us the minimalism and ambience of The xx mixed with a soulful and downright amazing voice. So it should come as no surprise that his latest single, “Wilhelms Scream,” is just as—if not more—fantastic than his previous efforts.

The track brings back a sound familiar to “Limit to Your Love,” while introducing a more prominent electronic melody, reminiscent of a more controlled version of Broken Bells. If the past is any indication; we can expect great things from James Blake, as he is yet to deliver something even slightly wavering in quality.

His self-titled debut album hits shelves on February 7th.

James Blake – Wilhelms Scream

’James Blake – Wilhelms Scream’
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[Video] Little Comets – One Night In October

Meet Little Comets, a four piece indie-rock band from Sunderland, England. The outfit sounds like a strangely amazing mixture of fellow indie-rockers The Wombats and Vampire Weekend, and yet seems uniquely distant from both of these bands.

The strong guitar-work, the undeniable polish, and talent of Little Comets are almost perfectly displayed in “One Night In October.” But while they can work exceptionally well with all of their instruments, the band is so very talented that even when are they stripped down to a single instrument (such as an acoustic guitar), the four manage to make a truly unique and enjoyable experience. I expect big things to come from Little Comets, and at their current rate, they will most certainly not disappoint these expectations.

Their debut album In Search of Elusive Little Comets is set to be due January 31th 2011

Little Comets – One Night In October

’One Night In October’

Little Comets – Joanna (acapella)

’Little Comets – Joanna (acapella)’

Little Comets – Isles Orchestral

’Little Comets – Isles Orchestral’

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[Fresh] Starfucker – Bury Us Alive

Those of you who watched television within the last two years are probably familiar with the sounds of Portland based inde-electronica band Starfucker. Their self-titled debut album brought us the gem that became ubiquitous with the Target brand name, “Rawnald Gregory Erickson the Second.” While not quite as accessibly poppy as their breakthrough single, Reptilians—their second full-length album—has brought us the fantastic “Bury Us Alive.”

The song has all of the hooks of a good electro-dance song while maintain an air of its own authenticity, and—if you’re like me—it will have you coming back for more, possibly even succumbing to the almighty power of the repeat button once or twice.

Strfkr – Bury Us Alive

’Bury Us Alive’

[via]

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[Indie] Kai – I Choose Me

From her Kate Nash-esque vocals, you would be hard pressed to believe that indie-pop artist Kai was from Toronto. While her debut single, “I Choose Me,” is a tune so catchy that it practically begs to be placed in one of those Apple commercials, and were it not for the wonderfully placed kazoo you would probably be right to confuse her with any other female indie-pop artist that has ever wielded a piano and a drum-set. But the kazoo is there, and it is magnificent.

Kai – I Choose Me

’Kai_I_Choose_Me.mp3′
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[Indie] The Steelwells – El Capitan

Meet The Steelwells, an indie-rock outfit hailing from Fullerton, California. With a sound not dissimilar from fellow indie-rockers The Shins, The Steelwells’ almost sound like a more dreamy and relaxed Quiet Company. Very few songs I have heard in the past weeks have taken me on a musical journey, and El Capitan ranks right up there with the best of them.

It’s hard not to bask in the glory of El Capitan’s sunny chords and vocals. The song may only weigh in at four and a half minutes, but there is something inherently epic about El Capitan.

The Steelwells – El Capitan

’The Steelwells – El Capitan’
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