Author Archives: Timothy Hudson

[Indie/Rock] The History of Apple Pie – You’re So Cool + Mallory + Tug

If your band is named The History of Apple Pie, chances are you’re doing something right. As it so happens, the delightfully named London based shoegazing indie-poppers do quite a bit right. Sounding a bit like a mixture of The Manhattan Love Suicides and The Pains of Being Pure at Heart, they manage to capture the perfect sort of summer-pop sound I have been searching for.

From the opening of “Mallory” I knew I was in love. The fuzzy guitars, fantastic drumbeat, and dreamy vocals all work to form some sort of perfect harmony. It’s immediately infectious, sunny, and brilliant. But their brilliance doesn’t stop at “Mallory.” No, it continues to shine on in “Tug”—another song so dazzlingly summery that I seriously get lost in it every time I listen—and every other song I have heard from the band.

Take their debut single “You’re So Cool.” It’s quite a bit more poppy and more akin to surf-pop than the previous tracks, but it still embodies everything warm and sunny about summer. The dreamy vocals bring you back to those carefree summer days—that visit to the beach—and guides you on to a future not dissimilar from these memories.

You’re So Cool will be released on June 27th via Rough Trade Records. You can preorder here.

The History of Apple Pie – You’re So Cool

The History of Apple Pie – Tug

’Tug’

The History of Apple Pie – Mallory

’Mallory’
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[Remix] Emancipator – First Snow (Ooah Remix)

Here at The Music Ninja, we’re no strangers to the remixes and works of Los Angeles based The Glitch Mob—and especially not one-third of the group, Ooah (otherwise known as Josh Mayer). Ooah takes “First Snow”—a track originally created by Portland based trip-hop producer Emancipator—to the proverbial next level. While still maintaining the chilly atmosphere presented by Emancipator, Ooah mixes in some dirty bass synthesizers, and gives the track that extra bit of punch that you’d expect from The Glitch Mob. And while the track weighs in at a hefty seven and a half minutes, I find myself clicking repeat again and again.

emancipator – First Snow (Ooah Remix)

’First Snow (Ooah Remix)’
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[Throwback] Albert Hammond, Jr. – Yours To Keep

Albert Hammond Jr. Most of you know him for his rivetingly playful guitar solos, his delightful line of suits, and him being a principle member to The Strokes, but you probably aren’t too familiar with his solo work. Seeing as the summer months are soon (and for some, now) upon us, his warm guitar work and relaxing sound seem perfectly fit for the time.

From the very first track of Yours to Keep—Hammond’s first solo album—you can tell that this isn’t going to be another Strokes album. While the familiar playful guitar riffs are present on all of the tracks, the general tone and mood of the album is far less aggressive and more relaxed than his previous outings. The closet he comes to returning to the style is on “In Transit”—a track so delightfully catchy and playful that it practically demands to be played on repeat over summer.

More demonstrative of the more relaxed style found on Yours to Keep is “Call An Ambulance.” With a slow, deliberate beat throughout, the track feels less like rock and more like pop. The guitar work—paired with bridges of whistling and vocal harmonies—evokes memories of warm days by the poolside.

The sunny-pop continues on album bonus-track (for the U.S. and Canadian releases, anyways) “Well…All Right.” The track begins with some playful percussion which builds into some relaxed guitar strumming and vocal harmonies. It’s truly a fantastic track, and much like every track on the album—it feels perfect for a sunny day at the beach.

Yours to Keep can be purchased from iTunes, Amazon, or (hopefully) wherever music is sold.

Albert Hammond, Jr. – In Transit

’In Transit’

Albert Hammond Jr. – Call An Ambulance

’Call An Ambulance’

Albert Hammond Jr. – Well…All Right

’Well…All Right’

[via ThisBonusTrack.com]

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[Indie] The Devil Whale – Barracudas

Hailing from Salt Lake City, The Devil Whale have lived a rather silent existence since their first album dropped in 2008, but it seems like they are trying to break their new album Teeth.

Their track “Barracudas” off the aforementioned album sounds like a more classic rock inspired version of Band of Horses, while never sounding derivative or trite. And drawing from such influences as The Animals, and The Kinks, it’s hard not to see the echoes of classic-rock on the track—a track which seems nearly impossible to place in time.

Teeth, the band’s sophomore album, is available on the band’s Bandcamp.

The Devil Whale – Barracudas

’Barracudas’
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[Indie] Arcade Fire – The Suburbs (Deluxe Edition)

Arcade Fire, the indie-rockers from Montreal have released three albums—all worthy of the critical acclaim they have received. They’ve won Grammy’s, topped charts, reached a level of success rarely associated with indie acts these days, and they aren’t looking stop any time soon. Alongside the announcement of acclaimed filmmaker Spike Jonze making a film based around their latest album, The Suburbs, came the announcement of a Deluxe Edition of the Grammy award winning album, which will include two all new tracks produced by the band.

The first of which, “Speaking in Tongues” is a collaboration between the band and David Byrne of Talking Heads fame. Sounding like a mixture between album standouts “We Used to Wait” and “The Suburbs,” the track exhibits nearly every great sound found on The Suburbs, and does so without requiring the rest of the album to guide it. Likewise, “Culture War”—the second new song found on the deluxe edition—stands so well on its own, that is almost hard to imagine the track getting even better when paired with the masterpiece to which is in addition to.

The Suburbs (Deluxe Edition), which features these two masterful tracks will drop on August 22nd via Merge Records.

Arcade Fire – Speaking in Tongues

Arcade Fire – Culture War

[via Pretty Much Amazing]

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[Album Review] Bon Iver – Bon Iver

Unless you have been hiding under a rock in a forest very far away from Wisconsin or you’ve never read The Music Ninja before, you are probably familiar with Bon Iver. Justin Vernon—the indie-folk singer/songwriter behind Bon Iver—has come to be synonymous with the genre itself, and rightfully so; his debut album For Emma, Forever Ago was a masterpiece that was practically unrivaled in emotion and sincerity. And after what seems like an extraordinarily long time spent on other projects or collaborations… enter their sophomore self-titled album Bon Iver.

From the very first guitar string plucked in album opener “Perth” you know this isn’t going to be a repeat of For Emma, Forever Ago, and I mean that in the best way possible. While his debut album had a very delicate and remarkable sound to it that was guided purely by an acoustic guitar and some clever instrument playing and mixing, Bon Iver instead has a full, rich, and equally impressive sound. It’s not so much a change of styles as it is a progressive evolution of sound.

That isn’t to say that every new sound and evolution found in Bon Iver will be a welcome one to their fans. Tracks like “Holocene” and “Michicant” are guided by the same delicacy and gently plucked guitar strings as most (if not all) of the tracks found on his debut album, and are therefore much more familiar and much more welcoming than the seemingly foreign and polarizing album-closer “Beth/Rest.”

On an album like Bon Iver it’s hard to pick out standouts. Most—if not all—of the tracks reach levels of perfection rarely found in music today. The aforementioned and previously released “Calgary” is seemingly the perfect realization of Bon Iver. It incorporates the more electronic sound found on the album, but does so gently without pushing the boundaries that “Beth/Rest” does so earnestly.

Needless to say, it lives up to For Emma, Forever Ago. The lyrics are just as beautiful and haunting as before, but alongside the phenomenal songwriting we’ve grown to love comes a newfound maturity of sorts in the music that accompanies it. It’s a beautiful album, even if the more 80s inspired electric offerings turn you off slightly, and one that I will certainly be listening to throughout the years.

Bon Iver comes out on June 21st through Jagjaguwar.

Bon Iver – Calgary

’Holocene’
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[Cover] Chet Faker – No Diggity

Ambitious. That’s the word I would use to describe Melbourne based electro artist Chet Faker. It’s not every day you go record your own version of an R&B classic/Grammy Award winning single from the not-so-distant past and manage to surpass it in every way imaginable, but that is exactly what Chet Faker did.

His interpretation of Blackstreet’s mid-90s classic “No Diggity” is a ridiculously smooth and fresh take on the genre, and strikes a chord not entirely dissimilar from fellow indie-electro artist James Blake, and I’m loving every minute of it. Even if you’re not familiar with the source material, it’s hard to not appreciate the skill and finesse brought to the table by Chet Faker.

Chet Faker – No Diggity

’No Diggity’

[via Nialler9]

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