[Deep-House/Indie-Dance] Little Daylight – My Life (The Golden Pony Remix)

Little Daylight
My Life (Golden Pony Remix)

We’ve been big fans of NYC’s preeminent deep-disco slingers, The Golden Pony, who for some time now have been authoring up some of the tastiest re-imaginings of tunes crossing all sorts of genres. From Peaches to Daft Punk and Tears For Fears to Swedish House Mafia, the afro wielding duo have proven their merit time and time again, pulling tunes we never thought would succeed in the deeper, more underground reaches of dance into their slick realm of sounds. Their latest remix finds them taking Little Daylight‘s “My Life” into a more sensual, slightly melancholy direction than we’ve seen in the past, using a neatly wrapped rolling bassline and popping 80’s synth progression to push Nikki Taylor’s vocals front and center. As with their entire catalog, this one will be given away for free, this time through Little Daylight’s Soundcloud, so hop on over and snag a copy. Trust us, for our electronic fans, you’ll want to be sure to add this one to heavy rotation.

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[Nu-Disco/Synth-Pop] Penguin Prison – Calling Out

Penguin Prison
Calling Out

Oh Chris Glover. Your lovelorn, Anglophilic, dreamy dance-pop and beautiful songwriting never fail to bring a smile and hip wiggle from us. Glover, who’s tenfold more renowned as his artist moniker Penguin Prison is back with another pop construed dance ditty, “Calling Out”. It’s been much too long since we’ve gotten an original from the crafty, 80’s driven producer, as we’ve seen Penguin Prison taking on remix duties for the likes of Maroon 5 & Youngblood Hawke, lending those beautiful vocal chords on tunes like RAC’s “Hollywood” and Viceroy’s “This Life”, as well as authoring shiny new covers of Lionel Richie & Sade; and “Calling Out” has certainly made up for the lack of solo tunes in the last few years. “Calling Out” rolls on a four-four disco kick drum, provocatively drippy synths and Glover’s extraordinary refrain to result in a worthy and welcome comeback single. The fact the tune ends with a frizzy guitar lead only sweetens the deal. The word is out that there will be another Penguin Prison LP in the near future, so we’ll keep you posted. Until then, enjoy “Calling Out” above.

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[Chill-Step] We Are Twin – True Love (White Cliffs Remix)

We Are Twin
True Love (White Cliffs Remix)

While much of electronic music’s rising stars are cashing in on the influx of fist-pumping teens and college students flocking towards ‘big-room’ EDM tents at festivals and larger than life, build-up wielding stadium sized tunes; some purveyors of the widespread genre are busy crafting forward thinking, melodious arrangements and expressions. Such a case study is debuting beatsmith, White Cliffs. Rather than assaulting his listeners with the same production kits used within every inch of the mainstream dance community, White Cliffs’ remix of We Are Twin‘s “True Love” is a breath of freshly composed air which receives its luster from a slick two-step drum inflection, subdued high-end percussion and just an utterly gorgeous vocal from We Are Twins. For a premiere track, White Cliffs’ subtle use of vocal chopping resonates across like a true professional musician, keeping the original’s indelible energy intact while fully communicating an educated albeit understated electronic musical point of view. This one can be swiped as a free download here, and we’re highly suggesting you do.

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60+ Songs to Prepare for Treasure Island Music Festival in SF, 10/18-19 [Event Preview + Playlist]

timf2014-sfweekly-fullpgLineups for major music festivals often boast 100+ artists, which although in theory is a great concept, can end up being overwhelming and frustrating when you realize the impossibility of seeing every act on the bill. San Francisco’s Treasure Island Music Festival, a collaboration between Noise Pop and Another Planet Entertainment, provides one of the few exceptions to this conundrum electing to go with fewer artists and alternating sets at only two stages. Having attended last year, we found this to be a genius, albeit seemingly obvious, solution making the experience far more relaxed for festival-goers without sacrificing any quality in the music. Aside from the unique arrangement, the backdrop of Treasure Island overlooks both the Bay and Golden Gate bridges and has one of the more stunning sunsets the Bay Area has to offer. For anyone who will be attending this year, we also highly recommend checking out the non-stop Silent Disco stage courtesy Silent Frisco.

To help you all prepare for what should be an amazing weekend of music, we’ve put together a massive playlist including every single artist on the TIMF lineup because, with no overlapping sets, you will actually have the opportunity to see them all. Whether you’ve already got your ticket, are still on the fence or can’t make it this year, we hope this serves as a fun, introduction to a dynamic collection of musicians. One and two-day passes for Treasure Island Music Festival are still available so, if you like what you hear below, grab your tickets HERE.

Day 1: 

Painted PalmsNoon @ Bridge Stage. 

Sounds like: San Francisco-based, psychedelic pop.

’Painted Palms
Anna’
’Painted Palms – Here It Comes’

Tobacco (of Black Moth Super Rainbow), 12:40PM @ Tunnel Stage.

Sounds like: In his own words, “I want to make you feel paranoid in a good way.”

’Tobacco – Self Tanner’
’Black Moth Super Rainbow – Gangs in the Garden’

ratking1

MUST-SEE: Ratking1:10PM @ Bridge. 

Sounds like: Gritty, high energy New York hip-hop.

’Ratking – So It Goes’
’Ratking – Pretty Picture’
’Phantogram – Fall in Love (RATKING Falling Off Remix)’
Continue reading

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[Synth-Pop] Mansions on the Moon – The Truth

Mansions On The Moon
The Truth

Consistently churning out some of the most well-composed alt-pop burners has been the modus operandi of Mansions on the Moon since their inception. We’ve been attentive fans in some way, shape or form since their first ever Diplo produced mixtape and on. The So-Cal troupe has been leaking singles from their forthcoming debut self-titled LP since July, most notably “Don’t Tell” and “Somewhere Else Tonight”, and with today’s release of their latest exposed single “The Truth”, we’ve realized Mansions has something very textured and special to release to their fans very soon. Every track thus far has filled a different role, whether it’s an upbeat melodious pop opus, an indie-rock leaning gem or slow searing ballads; and “The Truth” slides into its own place nicely. With an airy, atmospheric 80’s soul, “The Truth” reveals yet another ripple of production psyche and we’re beyond excited for the album to drop. Happy Friday Ninjas, you made it. Now listen to some beautifully arranged indie-pop and let the feel goods wash over you.

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[Deep-House] Dirty South – Unbreakable (SNBRN Remix)

Dirty South
Unbreakable (SNBRN Remix)

There might not be another artist who carries with them the skill and accessibility to showcase a sound that has dwelled for years in after-hours parties, warehouse venues and Europe in general, but L.A.’s SNBRN has brought an incredibly adept brand of deep, G and indie fueled House music to the masses like few other U.S. musicians could ever dream of. The deep-dance maestro returns to TMN with a highly refreshing take on house legend Dirty South’s “Unbreakable”, which has already earned the coveted support of Pete Tong on one of dance music’s leading resources, BBC Radio 1. SNBRN’s glossed the original tune up with a club leaning tool kit including a soulful, melodic, classic house piano chord progression with the deep swells of kicking bass that have permeated his addictive remixes since we first had the pleasure of gracing our monitors with the SNBRN sound. Let’s kick this Friday morning off with a little underground house varnish from one of our favorite producers around. Get your dancing sneakers.

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[House/Nu-Disco] Slinger – How Does It Feel

SLINGER
How Does It Feel

Slinger has been an artist with whom we’ve come to fall for over the last year through a select batch of excellent disco tinged house remixes, but today he’s back with a debut original single. “How Does It Feel” is a deep-disco dance piece encasing a synth-pop groover at its heart. The tune plays as slick as something out of Todd Terje or even Lindstrøm’s catalogs with even a touch of the same futuristic sensibility that made Grum’s 2011 album Heartbeats just so… cool. If this level of craftsmanship is what we can expect from Slinger’s individual output, we’re all hands on deck. Stream “How Does It feel” above and cap your work or school day with something sexy and dance inducing.

 

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