Latest Dubstep Posts

“On My Way,” the latest offering from Kartypartyy and Y3llO is something that transcends borders and genres. The track is a remarkable blend of Kartypartyy’s bass-heavy vibes and Y3llO’s genre-defying style. A musical melting pot, where the thumping beats of Bangkok’s underground clubs meet the eclectic sounds of Yangon’s vibrant EDM scene. “On My Way” shows off duo’s ability to harmonize their distinct musical backgrounds into a singular, pulsating experience.

Released under the Barong Family label, a name synonymous with cutting-edge electronic music, “On My Way” stands out for its boldness and originality. It’s not just another track on a playlist – a ride through the highs and lows of bass music, crafted by two innovative artists in the Asian music scene.

What makes “On My Way” so special is its ability to connect with listeners, regardless of their location. It’s a universal language, spoken in the dialect of deep bass and rhythmic moments, inviting everyone to join in on this sonic adventure. As you listen, you can almost feel the energy of Kartypartyy and Y3llO’s shared stages, their mutual passion for music, and the excitement of their fans.

In essence, “On My Way” encapsulates the spirit of camaraderie that defines the bass music scene. With “On My Way,” Kartypartyy and Y3llO have crafted a musical experience that resonates with fans across the globe.

In the eclectic world of experimental bass music, Ren Zukii, also known as Rene Snow, has emerged as a vibrant and refreshing voice. The 26-year-old producer from West Australia’s serene Margaret River has just dropped her latest single, “10 Hour Shower,” under the WAKAAN label, marking a thrilling end to the year.

“10 Hour Shower” is more than just a new track; it’s a reflection of Zukii’s journey and growth as an artist – it’s the story behind the music that truly resonates. This single is an expression of Zukii’s evolution, blending her early experiences with her current expertise in a melody that’s both familiar and fresh.

Zukii’s journey into the heart of electronic music started early in her scenic hometown, known for its waves and laid-back vibe. It was here, at the age of 12, that she first encountered the pulsating rhythms of Drum & Bass, sparking a lifelong love affair with electronic. This initial spark grew into a flame as she began DJing at 18, immersing herself in the vibrant world of music.

Furthering her passion, Zukii enrolled at the SAE Institute when she was 21, a decision that catalyzed her transformation from a music enthusiast to a creator. Here, she began forging her unique sound, drawing inspiration from the likes of Ivy Lab, Eprom, Alix Perez, and Flying Lotus. Her style is distinctly her own – a fusion of experimental tones and textures that could be picked out of a lineup.

As Ren Zukii continues to carve her niche in the electronic music scene, her latest offering is a reminder of her roots and the artistic path she’s traveled. “10 Hour Shower” celebrates not just how far she’s come, but how far she will go from here.

Never letting up, Hekler has consistently painted a sonic portrait that is both evocative of his roots and forward-looking in its execution. Returning to Bassrush Records, Hekler’s new EP, HEK SZN, is another strong example of his ability to re-imagine the bass landscape.

Starting with “Work It,” Hekler defies the constraints of genres, echoing the past’s rave vibes while infusing fresh energy suitable for any modern dance floor. This fluidity, this dance between past and present, is what Hekler excels at.

His collaboration with BLVCK JVCK, “BUMPIN,” leans into hip-hop territory, showing that Hekler isn’t just about the drops and the wubs. There’s an inherent musicality to his approach, a nod to the broader tapestry of electronic music.

In a time when electronic music often gets pigeonholed into silos, Hekler’s collaborations, like the experimental “Brains” with BLURRD VZN, and the hauntingly evocative “BOUND” with MADI, remind us of the genre’s vast potential.

But HEK SZN isn’t just an EP; it’s reflects this artists’ state of mind, at the moment. A statement that electronic music, and especially bass music, isn’t static. It’s ever-evolving, and artists like Hekler are at the forefront of its next chapter.

For those who’ve followed the ebb and flow of electronic music over the years, Hekler’s work serves as a bridge and a beacon. HEK SZN is now available on Bassrush Records, offering listeners a journey through bass’s evolving story.

2023 has been an electrifying year for bass music, and Dirt Monkey fits right in with the latest album, “MYCELIUM SOUND PT. 1.” Dropped on October 18, it’s the kind of music that makes you wish you had a bigger pair of headphones, to say the least

Now, we’ve seen Patrick Megeath, aka Dirt Monkey, dive into a ton of genres over the years, but this album is something special. The lead single, “Ignite,” featuring Christian Acamo, sets the tone. It’s like a gateway, beckoning listeners into Dirt Monkey’s world where wobbly basslines meet fresh rhythms.

Collaborations bring in even more flavor. Shanna Raymond and J Nolan sprinkle their magic, ensuring that the album isn’t just about the sound itself, but also about voices that give life to the music. And let’s not forget those festival anthems that are baked in as well.

However, it’s not just about the collaborators or the festivals. It’s about the journey through the tracks, the ups and downs, the chill moments, and the ‘time to rage’ points as well. It’s this rollercoaster of sounds and emotions that sets “MYCELIUM SOUND PT. 1” apart.

As October 25 approaches, there’s already buzz about MYCELIUM SOUND PT. 2. But before diving into what’s next, do yourself a favor: plug in, turn up the volume, and let Dirt Monkey’s latest sonic trip take you places. It’s a journey worth taking.

Exciting times ahead for fans of beats and comics! ILLENIUM, the celebrated DJ and music producer acclaimed for his heartfelt tracks and mesmerizing live shows, is partnering with Z2 Comics for a thrilling venture, “ILLENIUM: Presents Starfall.” Set to drop on November 21, 2023, the novel will be available in standard, deluxe, and a limited super deluxe edition, offering readers a dive into a world where harmony clashes with brutality in a shadowy authoritarian setting.

The tale revolves around Nick, a man trapped in a harsh dystopian reality, serving cruel overseers and addicted to a powerful Substance. Everything shifts with the introduction of Ash, a mysterious character who brings a glimpse of a different universe, filled with stories of phoenixes and fire. To escape the dark world he’s part of, Nick sets out on a journey of self-discovery and unveiling, brought to life by the creative team of Frank Marraffino, Pablo Andrés, Luis Expósito Hernández, and cover artist Emilio Adrias.

Z2 Comics and ILLENIUM make a harmonious duo in this collaboration. ILLENIUM, a GRAMMY Award-nominated artist, is known for his emotive music and captivating performances. Steve Ettinger, Z2’s VP of Marketing, is buzzing about this project, seeing ILLENIUM as the perfect mate for exploring new narrative frontiers.

For ILLENIUM, bringing this graphic novel to life is a dream realized, giving fans a unique peek into his origin story. This project highlights Z2’s commitment to creating engaging narratives at the intersection of music and comics, marking a noteworthy exploration of these interconnected artistic domains.

Layto’s “Five4three2one” has already carved out a space in our cultural memory—a haunting, mellifluous track. But now, enter Egzod, the Portugal-born, France-raised, and US-based enigma, with a remix that transforms the familiar into the thrillingly uncanny. This isn’t a surprise, given Egzod’s staggering 600 million streams across platforms since 2017. Those aren’t mere numbers; they’re a testament, good-looking accolades that speak to a world enraptured by his vision.

The very name ‘Egzod,’ riffing on the French “Exodus,” encapsulates his promise: a musical journey to a world where technology doesn’t just coexist with nature—it communes with it. A world that’s beyond our grasp yet feels intimately familiar, like a long-forgotten dream. In this rendition of “Five4three2one,” the powerful bass pulsates, the future bass layers intertwine, and the melody, already powerful, now feels cosmic.

But this isn’t just about music—it’s about storytelling. Every Egzod production, imbued with spirituality and profound motifs, is a story of transcendence, an invitation. Not just to dance, but to imagine, to dream, to depart.

In a world that often feels devoid of mystery, Egzod, with this remix, offers us a portal. A chance to lose ourselves, to find ourselves, and to experience a song, not just as a mere tune, but as an odyssey.