[Music Video] Mokita – Kiss and Tell

Coming out of a successful 2018 that saw him release a range of gorgeous chill-pop masterpieces, Mokita is continuing that streak in 2019 with his first single of the year. “Kiss & Tell” will surely tug at your heart strings and is bound to pave the way for even more brilliant hybrid music to come from the hand of the Nashville-based producer and singer/songwriter soon enough. The Armada releas shows his ability to hold his own by himself without anybody helping on backing production, which an exciting and impressive direction for John-Luke Carter, who is known to most simply by his stage name Mokita.
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Finis Mundi – Right Now? [TMN Premiere]

Finis Mundi
Right Now?

Nino De Felipe, known to most by his stage name Finis Mundi, is a producer and artist based out of Stockholm, Sweden. “Right Now?” started off as a Billie Eilish remix but turned into an original single where Mundi described the track as an “echo of a heartbroken person questioning it’s lover, ‘what makes you so happy right now?’ in silence. All alone.”

The genre-bending up and coming artist tosses warped vocals on a glitchy deep house infused record that crosses the border between R&B and Electronic music. “Right Now?” has a real ominous vibe to it that is perfect for a rainy day or dim lighting, so give it a spin and keep your eyes on Finis Mundi for the rest of 2019. Remember, you heard it here first at TMN!

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[Future Bass] TWO LANES – Back Down (ft. Kwesi)

TWO LANES
Back Down (ft. Kwesi)

TWO LANES are continuing to unveil their upcoming EP. After a hugely successful initial run with their first single, they’re well on their way to a massive EP release. “Back Down” featuring Kwesi is a strong next step in the right direction for these two brothers.

“Back Down” takes a cool, collected approach to the future bass sound. While the brothers don’t dive head first into the style, they certainly were inspired by its invigorating catchiness. Add in Kwesi’s addictive vocals and you have yourself a track you’ll never be backing down from. Throw this one on repeat and get your copy of it today.

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[Chill Electronic] Ark Patrol – Darling You Can’t Walk Away

Ark Patrol
Darling, You Can't Walk Away

Channeling an-out-of-this-world sound, Seattle-based alternative electronic producer Ark Patrol returns with “Darling, You Can’t Walk Away”. Blazing trails in the world of electronic-fusion, Ark Patrol’s latest unveiling is invigorating and futuristic. The track stands as the sophomore single to his forthcoming, feature-length project due February 21.

Ark Patrol is shining more than ever as he recently reclaimed his life from a battle with cancer. A warrior in his own right, these releases are a powerful testament to hope and healing. “Darling, You Can’t Walk Away” showcases Ark Patrol’s steadfast tenacity and perseverance not only as a creator but a human being. Boasting moments of disco with future-pop Ark Patrol is better than ever with this unique sound. In conjunction with this release, Ark Patrol has announced he will stand as direct touring support on select with BAYNK. Watch this space for more from the indie pioneer.

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Big Wild talks Superdream, Red Rocks, and finding his voice [TMN EXCLUSIVE INTERVIEW]

We’ve had Big Wild on our radar for quite some time, first posting about his vibey tunes back in 2015. Since then, we’ve had the pleasure of watching the rapid adoption and adoration of his style, leading him to a dedicated fanbase and some of the largest venues in the world.

Ahead of the release of high highly-anticipated debut album Superdream, out now via Counter Records, we reached out to learn more about this evolutionary shift in his career.

TMN: Superdream, your debut album, just dropped a few days ago. How excited were you to release it?

BW: Extremely excited. It’s been a long time coming! I’m just excited for people to see the full body of work, versus the singles that we’ve put out in the past. I think it’s going to give a lot more context to what I’m trying to do and where I’m trying to go with my music.

TMN: This is really your coming out party with singing on your own tracks. How did that come to be?

Making instrumental music felt very limited. I kept hitting a creative wall. There was a subconscious part of me that wanted to take it further and find a new way to express myself. The natural way to do that was through singing and songwriting. It was where I needed to go to stay inspired. To me, it felt like the logical next step.

TMN: Did you know that you could sing?
Continue reading

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[Music Ninja Radio] Episode 137: Indie Finds, Buku and Beats

Music Ninja Radio is a weekly podcast recorded and broadcast live on San Francisco’s BFF.fm  from 4-6PM PST every Friday. 

Music Ninja Radio
Episode #137: Indie Finds, Buku and Beats

Soundcloud || iTunes Podcast || Spotify Playlist  || BFF.fm Archive & Tracklist

This week Ninja Clayton joined us briefly to preview Buku Festival and share some of his favorite artists from the lineup. With those eclectic selections mixed through out, the remainder of the show focused on a few random indie finds, new hip-hop and closed with an hour of diverse, soothing selection of electronic tunes.

Buku festival is coming up March 22nd and 23rd (find our full preview here). Also, make sure to follow Clayton’s company Cadence and Cause who are partnering with the festival for some special fan experiences benefitting a local NOLA charity.

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Fractures – Reset [EP Review]

I was already very familiar with Australian-based Fractures before Reset came across my virtual desk. My experience stems from my wife’s, dare I say obsession, with “It’s Alright.” Not to say that I don’t enjoy that track, as well, but it’s cemented firmly in her regular rotation. In fact, that very song played in our hospital room, from her pre-planned playlist, right after our son was born.

While the listening experience of “It’s Alright” is slow and ethereal, Reset offers some variance, often more upbeat. This isn’t a huge shift, though, as we’ve seen this style before in tracks like “Eastside.” Yet, in comparison to his most popular offerings, this EP goes off the track of comparisons of Ry X and James Vincent McMorrow, and lines up more so with The Postal Service.

The title track was my favorite from the bunch, set to a quick-hitting synth and Fractures’ alluring vocals. It’s emotional and warmly familiar, enveloping you from the very start. Don’t get me wrong, though, I loved the full collection. It’s the type of listening experience best served sprawled out on the floor, with your favorite person, preferably with it playing via vinyl. That is, assuming it will come out on vinyl (fingers crossed).

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