Boy Bjorn – Anchorage (Foreign Fields Remix) [TMN PREMIERE]

Boy Bjorn
Anchorage (Foreign Fields Remix)

Sometimes it takes the most intense moments in our lives to set us on a different path. I’m sure all of you can identify a singular point in your past that sparked a significant change. Whether it was wonderful, painful, or somewhere in-between, it’s a common thread through the human experience.

For Brian Holl (aka Boy Bjorn), that life-altering moment came at SXSW in 2015. As a member from the previously heralded electronica-folk duo Foreign Fields at the time, Holl experienced a panic attack that would alter his course, both in life, and in music, after experiencing early successes of national touring, festival appearances, and a critically-acclaimed debut album.

Now, 18 months later, Holl is ready to delve back into the musical world, and in addition to returning to Foreign Fields, he’s also doing so under the moniker of Boy Bjorn. The debut release, “Anchorage,” dropped not too long ago. It’s enveloping, with a buzz that calls on associations of Postal Service, Owl City, and of course, elements of Foreign Fields. While I strongly suggest adding it to your playlist, we’re actually here today to bring you a glimpse at the first remix of this single, coming via none other than Holl’s partner in Foreign Fields, Eric Hillman.

Beautifully composed, this take is a long-building and emotional ride, focusing heavily on Holl’s heartfelt lyrics for the majority of the ride. It’s slow, and intentionally so, utilizing soft keys and strings from the original and layered, vocoder-treated vocal harmonies. It has a depth to it that one would guess, could only stem from a deep, personal connection between the two.

Music aside, anxiety, depression, and panic attacks are a common thing, and something that we don’t need to battle alone. If you’re in the dark, please know that others, some of which who have been in your exact same place, are there and willing to help. Please reach out to a friend, a family member, or a complete stranger.

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[Electronic/R&B] VenessaMichaels – FLIGHT EP

It’s been years since we’ve waited for an EP from VenessaMichaels, but now it’s here. Not only do we get an EP, but it’s a concept project called FLIGHT featuring some of her favorite collaborators including Effy, Outlaw The Artist and $K.

Complete with four tracks, FLIGHT exceeds our expectations not only in quality, but due to the fact that she flexes hard with her songwriting abilities by moving through a various collection of sounds. Venessa manages to keep her signature eclectic style, but never before have we been able to see it play out in a cohesive long-form project. Through and through, FLIGHT will get you lifted. Have fun trying to pick a favorite and make sure to add this EP to your digital library.

’Ridin’ The Waves (Feat. Effy & Outlaw The Artist)’
’Chemistry (Feat. Outlaw The Artist)’
’Interlude (Hold Me)’
’Dance Forever (Feat. $K)’
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[Electronic] Covex – Vertigo (feat. Chloe Tang)

COVEX
Vertigo (ft. Chloe Tang)

As somebody who experiences vertigo on the rare occasion, I can say, it’s no joke. Neither is “Vertigo” by Covex. This single, featuring Chloe Tang on vocals, is the real deal. Together these Denver creatives put together a chilling record.

“Vertigo” is going to give you goosebumps; it may be right away, or it may be as things progress and the Covex x Chloe team sink into your soul. With a spacey, almost otherworldly tone, the song is easy to lose yourself in as it casually lures you into its midst. If you’re having a rough start to your week, this will ease your pains. For double the soothing dose, add this to your digital library today.

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[Pop] LCMDF – Glitter

LCMDF
Glitter

The Helsinki to Berlin duo LCMDF shine bright with their latest release. The colorful “Glitter” came out through Playground Music Scandinavia, so it is currently available on digital platforms. You’ll want to get it.

“Glitter” isn’t your usual pop record, especially from an American standpoint. In nearly every way it is unique from the details of the instrumental to the performance. It does have an uplifting style that artists in their field have gone for, but LCMDF manage to stand taller than their counterparts with a dynamic single that gets sweeter the more you listen to it.

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NUEX Release their Debut EP ‘Affectus’ [TMN Exclusive Interview]

NUEX
LIGHTS OFF

When I first came across the music of NUEX, a DC-based electro-pop duo, I couldn’t help but comment to myself on how different and unique it sounded. It certainly did not sound like the music I usually find myself listening to. But with the sultry vocals of Camille Michelle Gray and polished production of drummer/producer Teddy Aitkins, there’s just something about their soundscape. It’s dreamy, it’s haunting, and quite intentionally, it’s out-of-this-world.

NUEX, with a name drawing from the French word for “heavens, sky, clouds”, materialize a dreamy vibe with dark, mysterious undertones. Their lyrics reflect the moodiness of their tunes– a “serendipitous” occurrence that is said to draw on inspiration on the moody contemplations of life and its sometimes ugly outcomes. I had the chance to get a peek into the headspace of these two new artists and catch up with them about the creation of their latest EP, Affectus. See what they had to say below:

TMN: The dark and emotive mood that comes through in your music isn’t something I hear all too often. How did you come to land upon this sound for your musical identity?

Camille: I think Teddy and I just share an inclination for depth and profundity that naturally comes across in his production and in my lyric writing. Purely serendipity to me! We never *tried* to be deep or moody, we just both see music as an outlet to have those conversations.

Teddy: I agree with her 100%. We both have incredibly diverse taste in music, from funk to classical. I’m not sure why our music turns out the way it does but 80% of the time, when I lay hands on the piano and we begin writing a song, it just turns into the more moody dark sound. I guess it’s our bodies way of getting out our own “dark passengers”.  

TMN: I feel like I hear a little bit of Kavinsky or maybe even Gesaffelstein in your music. Can you share some insight on your influences and inspirations?

Camille: The Kavinsky reference is fabulous, he is one of my favorites. I won’t bore you with my musical influences, too exhaustive to list! So I’ll pivot and say one of my deepest influences is the ugliness of human emotion. I know it sounds vague or maybe pretentious, but I use music and songwriting as a way to explore and question those baser, nastier and darker emotions and to draw some meaning and purpose from them. And then the end product is a lyric or a melody or a song, a way to beautify what is otherwise difficult to feel. Calling the EP Affectus, Latin for emotion/mood, is symbolic of that process.

TMN: How did you two meet and decide to make music together?

Camille: One very vague posting on Craigslist! And to be honest, the start was very rocky, with Teddy and I trying to reconcile our wants and our style. The only thing that really solidified us as a duo was when I wrote Lights Off. Then I was like “Ok, wow, I like this and I like this direction.” Never looked back.

Teddy: Yea, I agree. When I first sent her the song, I don’t think she was really feeling it. I wrote it with a different genre in mind I think.  We weren’t sure of our sound or what direction we were going. We just knew wanted to make music. But once I heard what Camille had done to the song, I knew we had something magical.

TMN: What’s your creative process like when it comes to recording new songs?

Camille: I wish I could say we always sit down together in the same room and vibe off of something, which we sometimes do. But honestly we do a lot of things remotely, both because we are busy and because we enjoy creating in solitude. So Teddy’ll send me some music he created by himself, I will write to and record it by myself, and then it becomes what you hear on the EP, a combined identity of its own.

Teddy: Yea, I think it’s mainly because we love doing what we do in solitude. We still do create together and do a lot of things together. But I think we just enjoy being alone when we create. Also there is something fun about creating something and going to your partner in crime and being like “check out this thought or sound. Lets build on it”. Then we go back and forth in our own space and make it happen. Maybe we both have a lot of anxiety and silly thoughts and creating is our way of dealing. So it feels more natural for us doing it the way we do.  

TMN: Some of your lyrics are pretty heavy stuff. What’s the inspiration behind them?

Camille: Life. And how wack it can be. And how beautiful it can be. And how in-between those two things it usually is. One of our main themes as a band is space and the Universe. I write a lot from the perspective of trying to marry mundane human happenings to something larger than life, hoping to make our experience here seem more meaningful than it appears.

TMN: Is there anything else you’d like the listeners to know about Affectus?

Camille: That it took four years for it to get here! Such a long journey. Like it’s only five songs, but behind it all–so much blood, sweat and tears. Also that it is merely our introduction to the world. We have plenty else in store and are excited to be kicking the door open now.

Teddy: The music does the talking.  *said in a Michael Jackson voice* Continue reading

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[Electronic] KREAM – Deep End

KREAM
Deep End

There’s a reason people don’t want you to go off the deep end. We’d rather you get on it, in the form of the “Deep End” created by the Norwegian act KREAM. The future-tinged original has been released by Big Beat Records and sports just enough pop crossover sound to really, well, pop!

“Deep End” is one of those records that feels familiar at first listen, but upon evaluating it or listening a few times, you notice the subtleties that set it apart from a lot of the usual future pop songs that have been coming out over the past couple of years. There’s a reason KREAM is a mainstay at Big Beat and this is just one of the many pieces of evidence as to why. “Deep End” is available on digital platforms today for those looking to support this one.

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[Future] Petit Biscuit – Problems (Taska Black Remix) ft. Lido

PETIT BISCUIT
Problems Ft. Lido (Taska Black Remix)

Taska Black slowed it down with his remix of Petit Biscuit and Lido‘s song “Problems”. Straight off of the track’s remix EP, this particular one stands out from the others, and it’s pretty easy to see why. But you don’t need to take it from me, Petit Biscuit had this to say about it: “Taska Black made Problems sounds like one of the freshest future pop track ever. This is something different, something nice, and something we all try to find!”

Taska Black really presents his musical abilities in this remix. While holding onto Lido’s beautiful vocals, almost everything else in the track was redone by him. Everything culminates in the drop when Taska Black lets loose with future synths and a manipulated version of Lido’s voice. What strikes me the most about this remix, however, is how it manages to be mellow and exciting at the same time. The style is multifaceted, and it really reflects how versatile Taska Black is as a producer.

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