[House] Betoko – Crazy Jack [TMN Premiere]

Betoko
Crazy Jack (Original Mix)

Fridays and house music were meant for each other from the jump. Which is why any time we can round up a darkly excellent slice of after-hours club music, we get a little bit giddy. London based, Mexcian born producer Betoko has long been an artist with whom this writer has been enamored. That admiration was forged by many a late night, hearing countless Betoko tunes rinsed by some of the world’s most forward thinking house & techno DJ’s. Betoko’s amassed an enormous base of proper house-heads behind polished releases on the likes of Get Physical, Bunny Tiger, Off, Nurvous & Katermukke, and his latest original record aims to move another wave of listeners.

“Crazy Jack”, our track under study today, sees Betoko return to Hedonism Music as part of the excellent Amsterdam Essentials Vol. 1 compilation. An outstandingly groovy club burner fueled by concrete snares, murky bass swells and arpeggiated progressions, “Crazy Jack” is a testament to Betoko’s arcing range of emotive productions, and a tune we’re massively excited to be premiering in the process. Stream “Crazy Jack” above.

Related items:

[Denver Event Preview/Ticket Giveaway] TMN Presents: Hayden James – Larimer Lounge – 10/29

TMN Presents:
Hayden James - Larimer Lounge - Denver, CO - 10/29

In a little under three years, Australian wunderkind producer Hayden James has ushered in an entire new wave of listeners into the electronic music arena. When we first heard Hayden James‘ debut single “Permission to Love” on tastemaking imprint Future Classic three years ago, we had a feeling the up ‘n comer was onto something special. After a string of incredibly well received releases including an excellent self-titled EP, and two of the more viral singles we’ve seen in years in “Something About You” & “Just A Lover”, Hayden James is poised to tackle yet another lengthy live tour, and we couldn’t be more excited to help bring his house-leaning, groove-driven sound to Denver this Saturday at the Larimer Lounge.

No stranger to the halls of TMN, including an excellent campaign as our ‘Resident Artist of the Month’ back in September of 2015, Hayden James’ live show is even more consuming than his polished productions, which is why we want to give our readers a chance to come join in on the fun. We will be giving away not one but TWO PAIRS of tickets to this one, simply by clicking on the header of this post, and commenting with your favorite Hayden James tune and BAM!… you’re entered. And for those Ninjas who’d rather not try their luck and just want to have their tickets in hand, you can purchase yours here.

There are a few rules, of course:
– The event is 18+. So, be of age, and be sure to tell all of your friends to enter in order to increase chance of winning!
– You are responsible for your own transportation.
– You must bring a valid form of ID to pick up your tickets at the Larimer Lounge door.

Check out our preview playlist, start commenting below, and best of luck ninjas!

’Hayden James – Just A Lover’
’Hayden James – Something About You’
’Snakadaktal – Fall Underneath (Hayden James remix)’
’Hayden James – Embrace’
Related items:

[House] Punctual – Fix

Punctual
Fix

Following a debut single that we still haven’t been able to shake, Bristol production duo Punctual return today with the accompanying B-Side. At nearly 10 minutes, “Fix” solidifies the promise heard on “Eva,” expanding on their gorgeously expressive take on house music. A simple piano chord progression kicks off the track and persists through out changing form with the building elements around it. Just as you start getting lost in the atmosphere, the percussion filters in around the 2 minute mark providing an irresistible groove.

While the first 4 minutes would make a strong track on their own, it’s the second half that sets Punctual apart. As the percussion is stripped back, vocals emerge that recall classic house music in a bridge that beautifully builds back into the song’s addicting repetition. Punctual feel like a breathe of fresh air in the crowd of fad-influenced electronic producers–standing out without sacrificing accessibility or simplicity. We’re excited to see what they come up next but the “Eva”/”Fix” EP should hold us over for quite some time–you can grab it here.

Related items:

[Event Review] TMN Gets Transformational at Symbiosis Gathering

dsc06214

When we finally drove over the Bixby Creek Bridge in Big Sur, we were only riding on a couple of hours of sleep. My business partner and I were already sixteen hours in for the long trek from the Arizona desert to Northern California’s lush Symbiosis Festival. When we finally made it to the gate a few hours later I found myself surrounded by waves of exuberantly dressed people of all shapes and sizes; I couldn’t help but feel like an outsider looking in.

This was my first transformational festival, but definitely not my first transformational experience. Fifteen months earlier I was living and teaching my way through Asia. I’ve meditated with Tibetan monks in Dhramshala, India and trekked through the Himalayas in Nepal. I mean, what could Symbiosis really offer me that was new I found myself wondering.

Yet, when I finally broke through the line and got my wristband, I began to notice; it was like driving into a dream. Not just one dream, but a patchwork of other people’s dreams.

Continue reading

Related items:

[Indie Electronic] Samuel Proffitt – Sladky Pt. 2

Samuel Proffitt
Sladky Pt. 2

To understand Samuel Profitt is to understand sadness. Now you may be wondering, “How is that good?” It’s simple. Samuel’s music maintains a level of genuine emotion that isn’t afraid to touch on complex and difficult events from his past. One example of this in particular is his work with Josh Jacobson on the heartrending Andre. It isn’t frail. It isn’t fearful. It’s accepting what has happened in order to make sense of what will come.

I don’t want things to end this way / You’ve become another part of me / A new horizon here to stay

“Sladky Pt. 2” finds a similar plane while enlisting the always terrific Khai to bolster a message of hope. This pairing of longing lyrics and graceful production already have given us an enticing look into what to expect from Samuel Proffitt’s upcoming EP, The Grey Notebook. There’s a refreshing sense of self awareness throughout Samuel’s projects, and that’s the exact sort of manner that makes for authentic and engaging music.

Related items:

[Event Preview] Phantogram w/ The Range – 10/12 – Fillmore Auditorium – Denver, CO

2016 has been a giant, defining year for both Phantogram -the shape-shifting pop duo comprised of Sarah Barthel and Josh Carter, and Brooklyn based genre-eschewing producer James Hinton, better known as The Range. Both acts have jumped out of the gates with strong album entries to their name: Phantogram’s Three and The Range’s Potential, and on the heels of those worthy LP’s they’ve just kicked off a joint North American to pace the Fall season. Tomorrow night in Denver, at one of the city’s most notable and storied venues, Phantogram and The Range bring their opposing yet suitable sonic aesthetics to the Fillmore Auditorium for the tour’s second stop, and our Ninja feathers are rather ruffled with anticipation.

While Phantogram have for years layed their stamp as perhaps the most notable U.S. electro-pop darlings turned mega stars; it is The Range that has our interest thoroughly piqued. The aforementioned Potential, is a journey in textures and sounds, carefully steeped in history and samples. Relatively new to the landscape of exciting producers, The Range and its LP counterpart Potential carry with them a lush, weighty backbone and the kind of genre splicing usually reserved for more seasoned producers with decades invested in the game. After a couple of listens it starts to become pretty clear why we’ve been hearing terms like “digital archaeologist” get thrown around when describing The Range’s sound. Needless to say, we’re rather prepped for this one tomorrow night, and to get the ball rolling, we’ve put together a mini playlist below highlighting some of our favorite cuts from both artists. Tickets to the show can be found here, and a complete list of Phantogram and The Range’s tour dates can be found here.

’Phantogram – You Dont Get Me High Anymore’
’The Range – Florida’
’The Range – Naught’
’Phantogram – When I’m Small’
’The Range – Copper Wire’
Related items:

[Festival Review] CRSSD Epic Weekend Recap

crssd2016_1001_164512-2828_flg

(PC: Felicia Garcia / CRSSD Fest)

 

San Diego’s Waterfront Park hosted its fourth CRSSD Fest this weekend, a place that’s become home to lovers of electronic music across the entire Southern Californian region. Maintaining a similar aesthetic to the previous CRSSD festivals at the park, the scene was filled with feelings of a tropical escape, an escape that differs only so slightly from that of the city the event is held in, but it’s the difference that gives patrons a feeling that they’ve left home and arrived at a new one. The lineup, as always, was stacked with legends and exciting up and comers alike. TMN had the opportunity to check out the show, and we’ve got a full run-down below.

The fest kicked off its first day with huge names like MK, Justin Martin, Miike Snow, Cashmere Cat, and Bonobo. As per usual, Dirtybird showed up in big numbers, and Justin Martin’s set and Shiba San’s set were ones to remember. There’s always something so special about the Dirtybird crowd. Knowing that all of your lives were probably touched at one point by Shiba’s track “OKAY” is a strong bond that not many other labels can achieve, and Shiba’s set was filled with all the depth and bass one would imagine. Justin Martin’s headlining set drew crowds that were worthy of his talent, and the set was an hour and a half of pure bliss. And while Justin Martin was taking everyone on a journey at one side of the festival, house music legend Marc Kinchen (aka MK) was giving everyone an education on the other side of the fest. Pioneering house music with tracks like “Always” from the 90s, MK has his finger on the pulse of house music now more than ever. We were ecstatic to see him headlining, getting all of the glory that he deserves.

Continue reading

Related items: