[Bass House] BLUUR – No Warning

You’ve been warned. You will love BLUUR‘s bass house banger “No Warning.” Released independently as a free download, “No Warning” ushers in a new era of BLUUR, setting the tone for what’s to come in the LA artist’s career.

Both catchy and heavy, “No Warning” is packed with some incredible sound design that explodes following the track’s memorable vocal that gets the listener – or rather the raving party goer – into the perfect state of mind. From there, BLUUR delivers a cathartic experience with drops you can’t help but move to.

This is by far the strongest and most intense track I’ve ever released under my brand. I want this track to be the staple of my project.” – BLUUR

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[Electronic] Danny Olson – Firelight EP

Over the past couple of months the cinematic composer/producer Danny Olson has been unveiling his highly emotional EP Firelight. Newly released on Seeking Blue, this four track project is the culmination of a journey that started last year after the sudden passing of Danny’s father.

Since then, Danny has gone through a massive journey through a vast array of feelings that have been creatively boiled down into a stellar musical homage to the most important man in his life. Danny’s first singles “Waking Up” with Becca Krueger and “I Hope You Know” with RUNN were incredible and set the tone for the EP perfectly, while “Firelight” stuns as the most unique and important song on the entire project. It doesn’t really fit neatly into a specific genre which makes it all the more enticing.

Danny closes out the project with a certifiable anthem alongside Linney called “Once Again” that has one specific moment in it that is really going to be special in a live atmosphere. It’s like a firework or confetti moment – a big cathartic blast of emotion that is sure to give you goosebumps!

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[House] Marcus James x RUNN – Good Enough

Canada’s Marcus James has taken the next step towards his EP with help from the talented RUNN. Their collaborative “Good Enough” was released on Physical Presents and has already garnered some incredible attention.

Landing itself on numerous editorial playlists including mint Cananda on Spotify, “Good Enough” is well deserving of the love its getting. Packed with inspiring emotion and bouncy basslines, this catchy original is some of the best work from both of these two talents. Check it out now and make sure to stay up to date with Marcus James & RUNN as they both have more music coming soon!

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[Electronic] WODD – Easy To Love (ft. LIA)

WODD has been a producer with some incredibly unique sound design and musicality that has garnered a growing grassroots fanbase over the past few years. Hailing from France, the dubstep producer takes a step away from his headbanging roots for a (house? electro? bass?) song that is sure to get stuck in your head.

“Easy To Love” is a genre-bending hit featuring the beautiful voice of Montreal resident LIA. The introduction seduces you into its dream-like sound whose chill tone completely juxtaposes what’s to come. WODD takes you on quite the sonic adventure with this bombastic bass hit that you just have to experience for yourself.

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[Dubstep] Brondo – Concrete Jungle LP

The bass jungle beast Brondo has graced 2022 with his second album Concrete Jungle. Released independently this 12-track project is a full on barrage of bass with several dubstep records and handful of records that see Brondo flex his creative abilities.

It’s not often you see dubstep albums, but Brondo’s second foray into LP territory is strong. Standouts on the album include “The King” and the house heater “Tonka” which may be our favorite song on the project. Brondo’s gritty distortion is on full display throughout the LP that is well worth the listen through.

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[Music Video] Apashe x Vladimir Cauchemar – RIP

Apashe has long been one of the most interesting producers out there and at this point he’s earned the right to be called a composer too. With his classical influence that brought him to record an album, an EP and more with real orchestras, he’s one of dance music’s most iconic creatives and now he’s back with another iconic musician in the masked Vladimir Cauchemar.

There song “RIP” is a beautifully contorted blend of styles that one can only describe as cinematic house. It’s a hypnotic record that comes with an even more astounding music video. Apashe has been widely recognized by his impressive music videos before, but the visual counterpart to “RIP” is bigger than ever. It’s grand, sharp, indulgent and Earth-shattering (literally). Check it out for yourself and enjoy the end of the world.

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New Zealand’s Four Greatest DJs

For a country with such a small population, New Zealand has produced some of the world’s finest DJs over the years. Here are four of the greatest.

Zane Lowe

Auckland-born Zane Lowe is as well known for his television-presenting and radio-DJ career as much as for his music production and live DJ skills. After moving to the United Kingdom in 1997, Lowe came to prominence hosting shows on XFM and MTV Europe before landing a global music show on BBC Radio 1. As a live DJ, Lowe has enjoyed an international career touring with bands like Muse, Kasabian, and The Prodigy, and playing festivals like Coachella, Future Music Festival, and Glastonbury. He has also regularly DJ’d at Ibiza and Mallorca Rocks. Lowe’s discography includes remixes of Snow Patrol’s In the End, Dan Le Sac vs Scroobius Pip’s Look for the Woman, and Kasabian’s Vlad the Impaler.

If you want to try out your own remixes for fun, a good place to start is the popular DJ Hero video game. You can mix tracks from a selection of more than 100 songs across numerous genres. And if you are in the mood for some more DJing fun, check out the DJ Wild slot game, which is available at Casumo online casino.

Nanotek

New Zealander Nanotek, whose real name is Mark Christiansen, is an international dubstep and drum and bass DJ and producer. He began his involvement with music during his teenage years when he played cool electric guitars under 500 and drums in heavy metal bands before discovering electronic and industrial music in the mid-1990s.

When he moved to Wellington in 2003, he was introduced to music by the likes of Photek, Dylan, and Dom & Roland, who became major influences in his hard darkstep sound. Nanotek’s break came in 2006 when Dylan, the owner of Freak Recordings, signed his two tracks Deadly Force and Acid Burn to his sister label Obscene Recordings. The two tracks gained attention from such recognized DJs as Counterstrike, Tech Itch, and Current Value, and it was not long before Nanotek received a global audience.

P-Money

Hip-hop DJ and producer P-Money came to prominence with his second studio album, 2004’s Magic City, which reached number two on the RIANZ New Zealand Singles Chart. The album contains the single Stop the Music, featuring New Zealand rapper Scribe, which gave P-Money his first number one song. The album contains many collaborations with both international and local artists, including Skillz, >Akon<, and Grandmaster Roc Raida. In 2003, P-Money scored another hit with Scribe with the smash hit track Not Many.

For someone who started out in student radio and DJ competitions, P-Money has certainly come a long way. Over the years, he has won numerous awards, including Best Producer, for Scribe’s multi-platinum album The Crusader, and Songwriter of the Year at the New Zealand Music Awards in 2004.

Mark de Clive-Lowe

Now based in Los Angeles, Mark de Clive-Lowe was born and raised in Auckland. He began playing piano at the age of four and developed an interest in jazz via his father’s vast record collection. During his teenage years, Mark de Clive-Lowe collaborated with local R&B and hip-hop artists.

In 1998, he moved to the United Kingdom. It proved to be a good move. He soon became a regular collaborator with other producers like Attic, Bugz, and Restless Soul. Not before long, de Clive-Lowe helped to develop the UK’s broken beat movement, which blends jazz, funk, electronics, and world music. Amazingly, throughout his career, he has been involved with more than 200 releases, including collaborations with Omar, Shirley Horn, and Lauryn Hill.

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