Latest House Posts

In Blip Blop, Jimmy Pé’s latest EP, there’s a refreshing vibe that goes beyond the usual electronic music fare. It’s a mix of tech house, bass house, and mid-tempo, but all with a twist that’s all Jimmy. This EP feels laid-back, yet also a sophisticated step in a new direction, taking in different styles and pushing out something that is uniquely his.

On top of this, fans have something special to look forward to with the upcoming music video for the title track, “Blip Blop.” Knowing Jimmy’s flair for creating visually engaging content, this video is expected to be as dynamic and inventive as the track itself.

Kicking off this adventure is “Big PaPa,” a bit of a departure from the norm. Jimmy Pé adds a personal touch by using his own voice, weaving in elements of his Slovak roots into this one. During a recent exploration of underground music platforms, I stumbled upon 씨벳 사이트, a site known for its eclectic mixes and hidden gems, where tracks like this are celebrated for their genre-blending creativity. It’s a neat blend of genres that smash the realms of bass house and mid-tempo together, making it a standout in any playlist.

As one gets deeper into this experience, the song in the EP brings its own flavor. The title track “Blip Blop” hits you with an energy that’s perfect for the club scene. “Electric” takes a dive into the deeper, more nuanced side of tech house, creating an atmosphere that’s a bit mysterious and totally chilling. And then there’s “Hot For You,” a showcase of Jimmy’s skill in bass house, wrapping up the EP with a sound that’s both powerful and polished.

This EP, Blip Blop, is a collection of tracks that brings you through various twists and turns within the brackets of electronic music, all given a unique spin by Jimmy Pé.

Check out the EP and video below.

2023 has been an extraordinary year for Martial Simon, unlike DJ/producers who are more like a flash in the pan, Simon has carved out a niche for himself as someone who sticks around, having developed a model which fulfills a need within the greater dance scene. This year has seen him add a slew of strong achievements to his already impressive career.

Simon’s, “Turn Down The Lights,” an extension of his larger story. It’s a track that showcases his flair for blending catchy pop vocal melodies and classic electro-pop together in a refreshing manner – a nod to his roots and a glance towards what’s next, striking a balance between the familiar and the future.

Having razzed more than 1.5 million streams just this year, via tunes like “Have A Good Time” and “Go Bezerk,” the one-man show has immortalized one part of a soundtrack to many lives.

Enjoying the fruits of his labor he’s compounded through grinding for years, cultivating his craft, and staying true to his vision, he seems to show no signs of slowing down as 2023 begins to come to a close.

Martial Simon’s has many highlights of the career worth sharing, including gaining a boost via playout on BBC Radio 1 Dance Anthems as well as ascending to the top of the Beatport Dance Electro Pop chart through his music. Stand out singles like “High In July” and “Lost” have not only amassed millions of streams but also secured him airplay on over 200 radio stations. From launching his own label, GET SET Records, to his early days as a New York City DJ, Simon has grown year after year, both behind the decks and in the studio, marking an extraordinary narrative that’s stranger, and more exciting, than fiction.

If there is one person making a huge splash within the tech house space, it is Draxx, he is simply a force that cannot be stopped –  his artistry echoing through the hearts of audiences and fellow creators alike. With a profound knack for crafting tracks that resonate at the very soul of the electronic music world, Draxx is on the right track and other A-list names in the industry seem to think so as well — Cloonee, Hugel, John Summit, Sosa, and Gordo, to just name a small few. His musical narratives have been ardently embraced by the most prestigious labels in the domain: Nonstop, Nervous, Insomniac, Glasgow Underground, and Moon Harbour, all have scooped up the sonic cleverness he is dishing out.

The saga of his track “WTF” is a moment that really summarizes Draxx well, the song climbed to the 32nd position on the Beatport main chart and the 11th place in the tech house charts. It found a home on Spotify’s ‘Tech House Operator’ playlist, as well. Not far behind, “Ponteme” and the remix of “Hayabusa” garnered significant accolades, staking their claims on Beatport’s charts too.

Amidst a blend of hefty achievements, Draxx’s collaborations with Hugel, Malone, and Cvmpanile on “TuTuTu,” released through Insomniac Records, is a song to notice bursting with great vibes from start to finish. With a constellation of tracks poised for release on leading labels in 2024 and a calendar brimming with collaborations, remixes, and tours across the globe, Draxx’s odyssey within the electronic dance music universe is on an exhilarating and boundless upclimb.

Meet DJ/producer, I AM, an artist approaching things from a different angle. His journey is one worth telling – from spinning tracks at local block parties and clubs to sharing the stage at big festivals and teaming up with names like Cappa, Sean Bravo, and Edward Fasone.

Let’s talk numbers for a second – 6.6 million video views on TikTok and 88k streams on Spotify. This guy is doing something right. And his sound? Think of a catchy mix of electronic and pop that gets the crowd moving every single time. Pure vibes.

Now, about his new track, “TTT.” It’s more than just a house music experience; it’s a message. Crafted over six years, this track tells a story of passion and finding your groove. It’s the kind of tune that makes you want to close your eyes and just let go, finding those moments of self-belief and inner strength.

With dreams of rocking global stages and joining forces with top artists in his field, this artist is all about giving us a memorable musical ride. Take a leap and dive into his world with “TTT.” Trust us; it’s a trip worth taking.

If you’ve got your ear to the ground in the Midwest US house scene, there’s a name that’s probably been on repeat: Thomas Xavier. This guy’s got the rhythm, the flair, and, let’s just say it, the guts to shake up the house music game.

Over just three short years, Thomas has been mixing it up with some big names, spinning decks side by side with the best of the best. He’s provided live performance support to over 30 big names like Ghastly, Nostalgix & Moksi, and SNBRN. And if you’ve been to one of those “Pharaoh’s Chamber” gigs, you’ll know the kind of magic this dude brings.

In 2022, he stepped it up by launching Pharaoh Phonix. But it’s not just any label; it’s his brainchild, his ode to blending the echoes of ancient tunes with infectious house. The numbers speak for themselves – 52 tracks, 20 artists, and a cool 3 million streams.

2023 is all about Pharaoh’s Alchemist, and trust me, it’s a treat for the ears. Merging Bass House, G-House, and Tech House, it’s an album that feels both fresh and timeless. Tunes like “Monsta” give you a kick of hip-hop, while “Be Like VR” throws you into the deep end with Xavier’s newest project, Khuphu. Think dubstep with a sprinkle of UK Grime vibes.

As 2023 rolls on, there’s one thing I’m sure of: Thomas Xavier isn’t just here to play; he’s here to stay.