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[Alternative Pop] Solbore – To Be Free

Solbore‘s “To Be Free” opens with a spacious, beat-driven instrumental that immediately sets a reflective yet dynamic tone. Brighton-based producer and multi-instrumentalist Vlad Matveikov layers textured guitar, synths, and basslines with live drums from Ravi Martin, creating a sound that drifts effortlessly between ambient, experimental, and left-of-trip-hop influences. Co-producer Neil Cosgrove adds inventive electronic elements, giving the track depth and a sense of movement.

The arrangement features dynamic shifts, particularly in the chorus where the guitars swell, giving a feeling of liberation. Each verse is marked by more restrained instrumentation, allowing the vocals to take center stage. When the chorus hits, it feels like a release, with the instruments crashing together in a satisfying wave. This contrast between verses and choruses keeps listeners engaged and highlights Solbore’s knack for structure.

Lyrically, “To Be Free” captures themes of self-discovery and breaking away from constraints. The vocal delivery carries an earnestness that resonates with anyone who has felt trapped or limited. There’s an anthemic quality to the refrain that echoes bands like Foo Fighters or early Arctic Monkeys, evoking that same spirit of rebellion against the mundane.

The production is crisp yet raw, allowing some imperfections to shine through which adds character to the track. The mixing emphasizes the lead guitar while keeping the rhythm section tight and punchy. This choice enhances the overall energy without overwhelming the listener.

As “To Be Free” unfolds, it becomes clear that Solbore is carving out a distinct niche within contemporary alternative music. The track’s melodic sensibilities nod to acts like Röyksopp, while its rock-oriented edge recalls early-2000s indie experimentation. It’s this blend of influences that makes “To Be Free” not just another rock song but a declaration of independence wrapped in an infectious melody.

The track closes as powerfully as it began, leaving listeners with a resonant sense of hope and freedom. With this single from his upcoming project, Solbore demonstrates both artistic maturity and the potential for continued innovation in the indie and experimental music landscape.

Listen to To Be Free by Solbore

[Ambient Electronica] Kaiori Breathe – Hello Earth

Posted by TMN Staff - 17 hours ago

[Pop] Kaiori Breathe - Hello Earth – cover art

Kaiori Breathe’s “Hello Earth” opens with soft synths and a spacious atmosphere that sets a reflective mood. The production features layered textures, creating a dreamlike quality throughout the track. As the song progresses, the dynamics shift; subtle beats emerge around the one-minute mark, adding an engaging rhythm that contrasts with the airy introduction.

The arrangement prioritizes atmosphere and space. Moments of swelling synths ebb and recede, creating an immersive ebb-and-flow that mirrors the album’s overarching ambient and experimental approach. Vocals are minimal and used more as an instrument than a narrative device, contributing to the track’s introspective and meditative tone.

“Hello Earth” aligns with the ambient/electronic sensibilities of the rest of Not Of This Earth, highlighting Kaiori Breathe’s skill in creating immersive, contemplative sonic landscapes. Drawing from chillstep and experimental electronic influences, the track’s focus on texture and subtle rhythmic movement sets it apart in today’s electronic music scene.

Based in the United Kingdom, Kaiori Breathe has been steadily building a following on Spotify, with her work appealing to listeners who favor atmospheric, genre-blurring electronic music. “Hello Earth” demonstrates her ability to craft extended, immersive compositions that prioritize mood and sonic depth over conventional pop structures.

As the track unfolds, it draws the listener into a meditative space, making it a standout example of Breathe’s evolving ambient-electronic artistry.

Listen to Hello Earth by Kaiori Breathe

Electronica

[folk] Eliza Noxon – One More Round

Posted by TMN Staff - 17 hours ago

Eliza Noxon’s “One More Round” opens with warm, finger-picked guitar that immediately sets an intimate, reflective tone. Her voice is gentle yet resolute, carrying the weight of personal grief and introspection with a natural clarity. The production is understated, letting her emotional delivery take center stage as she explores resilience, memory, and the tension between her best and broken selves.

The track builds gradually, layering subtle percussion and harmonies that swell during the chorus. This dynamic contrast emphasizes the emotional peaks while maintaining a folk essence that feels both timeless and contemporary. Noxon’s lyricism, drawn from a deeply personal place—written on her 21st birthday after the loss of her older brother—conveys both vulnerability and strength.

Lines like “I am but ash and dust, the world is for me” reflect the duality of self she examines throughout the song.

Stylistically, the track sits within modern indie-folk and alt-pop, echoing artists like Phoebe Bridgers and Brandi Carlile, but with Noxon’s own distinct voice. Her understated yet precise arrangements allow the emotional narrative to remain front and center, while gentle crescendos and backing vocals add depth and texture without overwhelming the intimacy of the performance.

Hailing from a background in interdisciplinary arts, Noxon brings thoughtful precision to her craft. “One More Round” is part of her album Good Monsters with Bad Habits (February 27, 2026), a record shaped by loss, survival, and the complexities of growing up. The song ends with a tender, lingering resolution, leaving the listener with a sense of quiet reflection and emotional resonance.

With its heartfelt lyrics, thoughtful arrangements, and raw authenticity, “One More Round” is a standout example of Eliza Noxon’s ability to transform personal experience into universally relatable music.

Listen to One More Round by Eliza Noxon

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Indie

[Rock] Abîmes Marécageux – Prise

Posted by TMN Staff - 17 hours ago

Abîmes Marécageux’s “Prise” opens with brooding, sustained guitar lines that immediately set a melancholic, immersive atmosphere. The track unfolds gradually, weaving layers of texture, subtle drones, and moments of near silence, creating a sense of space shaped by foggy marshlands. Shifts in dynamics guide the listener through quiet introspection and tense swells, giving the piece a cinematic, contemplative quality.

The arrangement emphasizes atmosphere over conventional song structure. Long, resonant tones interact with sparse rhythmic touches, producing a push-and-pull that keeps the listener engaged. Textural layers and ambient drones create a sense of movement and depth, evoking landscapes as much as emotion. Each sound feels deliberate, inviting careful listening rather than immediate gratification.

Hailing from a solo project rooted in post-rock, drone, and ambient music, Abîmes Marécageux crafts soundscapes that balance melancholy, serenity, and tension. “Prise” is part of the album Noroit, and it exemplifies the project’s ability to evoke mood and emotion purely through instrumental storytelling.

“I build melancholic soundscapes made of long guitars, textures, and silence—shaped by marshlands and fog.”

With “Prise,” listeners are invited into a meditative space that lingers long after the track ends. It’s a slow-burning exploration of atmosphere and feeling, proving that Abîmes Marécageux’s work resonates not just as music, but as an emotional journey—an evocative reminder of the power of sound to transport, unsettle, and reflect.

Listen to Prise by Abîmes Marécageux

Alternative/Rock

[Rock] Carla J Easton – Oh Yeah

Posted by TMN Staff - 17 hours ago

Carla J Easton’s “Oh Yeah” kicks off with bright guitar riffs that immediately set a lively atmosphere. The production is crisp, allowing each instrument to shine without overpowering the others. A steady drumbeat drives the track forward, creating an infectious momentum that feels both energetic and inviting.

The arrangement builds gradually, layering textures and melodic flourishes.

The chorus bursts with a catchy hook, with Easton’s vocals soaring confidently, balancing vibrancy with subtle introspection. Softer verses contrast with more dynamic moments, creating a push and pull that keeps the listener engaged throughout

Lyrically, “Oh Yeah” captures moments of connection, adventure, and emotional openness. Easton’s voice conveys both joy and reflection, evoking warmth and nostalgia without feeling dated. The track blends guitar-led indie pop with a bright, heady sense of melodrama, reminiscent of early 2000s indie pop-rock while remaining unmistakably her own.

Recorded live off the floor at Glasgow’s Chem19 studio, the song embodies the spontaneity and trust of collaborative performance. It sits at the heart of her forthcoming album I Think That I Might Love You, a project built on themes of friendship, shared discovery, and creative freedom.

With its engaging melodies, dynamic energy, and heartfelt delivery, “Oh Yeah” announces a confident new chapter for Easton, balancing immediacy with emotional depth and setting the tone for an album that glows with human warmth and communal spirit.

Listen to Oh Yeah by Carla J Easton

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- Spotify
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[Electronica – Ambient ] Kaiori Breathe – Takashi’s Wisdom

Posted by TMN Staff - 18 hours ago

[Electro] Kaiori Breathe - Takashi's Wisdom – cover art

Kaiori Breathe’s “Takashi’s Wisdom” captivates with its expansive, atmospheric layers and precise electronic textures. The track opens with soft, pulsing synths that gradually evolve into a rich soundscape, weaving gentle percussion and intricate melodic motifs throughout. The arrangement balances stillness with movement, inviting the listener into a meditative, immersive experience.

As the song progresses, dynamics shift seamlessly. The introduction of vocal samples adds texture without overpowering the instrumentation. When the beat drops around the midpoint, it feels like a release; layers peel away to reveal an infectious rhythm that keeps listeners engaged. This transition highlights Breathe’s skillful production—she knows just when to build tension and when to let it flow free.

Kaiori Breathe masterfully blends chillstep influences with vibrant electro beats in “Takashi’s Wisdom.”

While largely instrumental, the occasional vocal or sampled textures enhance the ethereal atmosphere without drawing focus from the music itself. The track resonates with fans of cinematic electronic artists like London Elektricity or Seba, sharing a similar dedication to lush sound design and emotive instrumentation.

Based in the United Kingdom, Kaiori Breathe continues to carve out her niche in the electronic scene. “Takashi’s Wisdom” is part of her album Not Of This Earth, a collection of immersive tracks that showcase her meticulous production and expansive artistic vision. With its dynamic textures and carefully structured flow, the track positions Breathe as a compelling voice in atmospheric and experimental electronic music.

The interplay of rhythm, melody, and space in “Takashi’s Wisdom” makes it a standout piece, offering a listening experience that is as contemplative as it is engaging.

Listen to Takashi’s Wisdom by Kaiori Breathe

[Pop] Karim Panzetta – When We Were Fools

Posted by TMN Staff - 18 hours ago

Karim Panzetta’s “When We Were Fools” opens with shimmering synths that create a bright, inviting atmosphere. The track builds steadily, layering rhythmic elements that shift between playful and contemplative. This dynamic tension keeps the listener engaged, especially as the chorus bursts with energy, contrasting the more reflective verses.

The production leans into crisp, danceable beats intertwined with melodic synth lines, giving the song a sense of momentum while allowing the vocals to shine. Around the bridge, a noticeable drop in intensity creates a moment of emotional reflection before the track ramps back up to its vibrant chorus. This careful push and pull of energy adds depth to the song, elevating it beyond typical pop structures.

Lyrically, Panzetta explores themes of restlessness, freedom, and choosing movement over comfort. His vocal delivery is earnest and slightly wistful, conveying the thrill of breaking from routine and chasing connection even without knowing where it will lead.

Lines like “running toward something real, trusting the moment” capture the bittersweet tension between memory, risk, and youthful recklessness, turning fleeting experiences into defining memories.

“When We Were Fools” sits comfortably alongside synth-pop artists like CHVRCHES or early M83, blending infectious melodies with introspective lyricism. Panzetta’s knack for crafting relatable themes over dynamic, electronic-driven arrangements gives the track a fresh, modern appeal.

Panzetta has been steadily gaining attention in the indie-pop/electronic space. His music balances danceable energy with reflective storytelling, making “When We Were Fools” a standout moment in his growing discography.

This track exemplifies Panzetta’s ability to merge vibrant electronic production with emotional resonance, marking him as a compelling voice in contemporary synth-pop.

Listen to When We Were Fools by Karim Panzetta

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- Spotify
- Apple Music
- SoundCloud
- Pandora
- YouTube
- Deezer

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