Brian Cid Vs Schoolboy Q Ft. Kendrick Lamar – Collard Greens (Extinct Mix) [TMN PREMIERE]

BRIAN CID VS SCHOOLBOY Q FT KENDRICK LAMAR
COLLARD GREENS (EXTINCT MIX)

We don’t know about you guys, but regardless of whether or not it’s the weekend yet, we still get that itch to go out on Thursday nights. This inexplicable need to get out and dance has long since been understood by the dance club community as they regularly bring in top-notch talent on Thursdays, leaving you tired, yet quite content come Friday morning.

No stranger to the club scene, Big Apple native Brian Cid has been producing since the young age of 14. After realizing the best way to get his music heard by the masses was going to be in the clubs, he learned how to DJ after having support on his original material from artists like Luciano, Guy J, Stacey Pullen and more.

Today we’re bringing you a deep, ominous and delicious track from this up-and-coming artist.  Rife with industrial undertones, this dance-floor delight features pitched-down hip hop vocals from a few names you’ll probably recognize. After listening to this song a few times over, we decided to ask Cid a few choice questions to get some more insight. Check out what he had to say below:

TMN: What drew you to this track that made you decide to remix it?

I am in the Hip Hop scene as I work with a lot of underground Hip Hop artists in the NYC area. I’ve been hearing about Schoolboy Q for a while and after checking him out I felt he was a good option for me to snatch his vocal and build a full dancy deep house track around it. Pitch it down or freak it, as we say, and throw it in the dance floor and see what happens. Schoolboy is an underdog coming up from the underground scene, and I saw myself in him. It all worked out great.

TMN: How is this remix different from your other remixes and/or original productions?

A lot of things can go wrong when you mix Hip Hop and House. There is a fine line between corny and dope. I wanted to make sure I was in the dope side of the line, so I experimented with some pitched down vocal effects and screws. I don’t really do many vocal tracks, so when I do, I try to do something special with them. I wanted to keep it extra funky and impact. This remix was designed for the club.

 

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