International fame and critical acclaim have attached themselves to everything Ta-Ku has released for an unprecedented amount of time. With a stacked resume of late containing the release of Songs to Break Up To in late 2013, the foundation of Create & Explore, releases under the moniker HWLS, collaborative efforts with HW&W and Street Dreams Magazine, while also having a hand in the success of Australia-based Weston’s Barbershop, the Perth trendsetter has been hard at work creating a multimedia empire off of his many talents. Your favorite Music Ninja writers has covered multiple Ta-ku releases over the years: Frogs, I Miss You, Down For You, Long Time No See, Love Again, No Reason, and Help Me Lose My Mind. His June 2015 release – appropriately titled Songs To Make Up To – exceeded all expectations in its depth and composition. As impressive as his catalog has been up to this point however, the recently released EP may overshadow them all in complexity – thanks to the lyrical infusion.

Median, stylized as (m)edian, is a concept album in the form of an EP; it’s short, succinct and tell a formative story of the dual protagonists Ta-ku and Wafia. Starting in 2015 and after much collaboration, the duo, Regan Matthews and Wafia Al-Rikabi, released their breakout take on Estelle’s “American Boy” with their aptly titled “American Girl, along with a collaboration with Charles Murdoch on “Frongs”. Shortly after, they debuted their joint live act during Ta-ku’s MoMA PS1 show. This spawned the duo’s (m)edian EP sessions in early 2016 that also included Wafia’s trusted collaborators Thomston and Ben Abraham. After solidifying a bond around their experiences with their fathers, they poured those feelings into (m)edian, which resulted in a raw confessional that unearthed a bedrock of complicated emotions.

Lyrically, the album focuses on several themes: strength in the face of adversity, maintaining a balance emotionally, and the space between familial love and forgiveness. As one of our first glimpses at Ta-ku the vocalist, the dynamic range of his singing is a welcome addition to the repertoire. While listeners are processing the limitless talents of Ta-Ku, Wafia comes into the fold, seductively harmonizing her lines intermittently throughout Median. On the introductory track, “Treading Water” a sparingly light sequence of piano keys sets the scene, before a dynamic lyric-infused ballad takes hold and finishes painting this masterpiece. Tracks two and four act as instrumental bridges between one, three, and five – accentuating the storytelling vibe of the album. Taku and Wafia sat down with TMN to discuss their experiences putting the album together, as well as inspirations behind the project, in great detail: Continue reading →