Things are running a bit off schedule this week with The Hip-Hop Dojo, so I want to apologize. However, I assure you that the extra wait will certainly be worth it. Given the long wait, I want to cut the clutter down as much as possible so you can get right to the music.

We start things off with Blame One who explores some existential themes, even delving into potential philosophical and religious differences between him and the outside world. Things liven up a bit as we switch over to IAMSU! who dedicates this title to all the “Hipster Girls” obsessed with their Instagram feeds and Tumblr pages. F.Stokes is quickly becoming one of my favorite emcees out of the Chi, as he seizes the beat on “Carpe Diem.” Kanye West has undoubtably had an immense influence on the young minds of Chicago hip-hop, so what better way to pay homage than by crafting a sequel to one of his absolute classics?” Alex Wiley and Chance The Rapper attempt to capture the essence of the original with their rendition of “Spaceship II,” even snagging a feature from GLC who appears on both versions. Bird‘s new single, “Still Shine” features the first sighting of Little Brother we’ve seen in quite awhile. Before you get ahead of yourselves about a potential reunion however, be careful to note that the verses were actually recorded a few years back. Nevertheless, some new Phonte is always welcome in the Dojo. In preparation for his upcoming album, Watching Movies With The Sound Off on June 18th, Mac Miller decided to share two of the album’s most anticipated tracks, neither of which disappoint. C’mon, new Jay Electronica is still good for something right?

For some reason, this week featured a vast array of songs that incorporated incredibly dark tones and heavy content. Guys like Mr. Muthafuckin eXquire, Danny Brown, Flatbush Zombies, Ibn Inglor, Denzel Curry, Sir Michael Rocks, and A$AP Rocky all got in on the action, but there’s one artist I’d like to focus on in particular: Dillan Ponders. While little is known about the young Toronto native, one thing is clear: he has an extremely unique sound–so unique in fact, that I just had to share two of his singles with you all this week. If you’re feeling the material we’ve posted so far, I highly suggest checking out his full Overdose project as soon as possible. Additionally, I’d like to highlight another artist who coincidentally also hails from Toronto, P. Reign, who seems to have big plans for 2013 with his Dear America mixtape, set to drop later this year with features from the likes of Drake, French Montana, and Waka Flocka Flame. As he nears the one year anniversary of his signing with MMG, Rockie Fresh praises God for all the blessings  he’s received since.

If there’s one thing you take away from Action Bronson‘s “Strictly 4 My Jeeps” remix, it’s that LL Cool J can still rip beats with the best of them. Seriously, why can’t hear verses like this from him more often? It’s definitely a major upgrade over “Accidental Racist.” Smoke DZA and Harry Fraud prove they’re still winning as they bring us a triumphant anthem that sounds unlike anything we’ve heard from either of them before. With three straight hits under his belt now, I’m convinced that Hayk truly represents the “The Future” of hip-hop. Check out his latest track which features a fiery hot dubbed out sample of Boy Crisis‘ “Dressed To Digress.” Following in the same vein is West Coaster Jez Dior, who rips apart another dubbed out sample, this time Lana Del Rey’s “Dark Paradise.” We’re really excited about what we’ve heard from Jez Dior this year, and are eager to hear what he has in store for us when his new project, Scarlett Sage, drops tomorrow. Make sure to check out the the trippy visuals for “Move On” as well. Angel Haze might be the hottest female emcee in the game right now. She’s murdered just about every instrumental she’s stepped on during the last few months, which now include the phenomenal remix to Woodkid‘s “I Love You” and her latest single, “No Bueno.” Finally, we wrap things up with two Brits, who bring us a few feel good singles to jam out to all summer. The first of the pair features Amplify Dot (sounds like the name of a Kendrick song) flexing her skills alongside well-known veteran Busta Rhymes on “I’m Good.” Meanwhile, Londoners Rizzle Kicks attempt to resurrect the classic sound of the Roaring 20s on their upcoming album, which is available for pre-order now.

We hope you guys enjoyed our twelfth edition of The Hip-Hop Dojo as much as we did! As always, you can send all submissions/suggestions to baseer@themusicninja.com.

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